Showing posts with label bob hicok. Show all posts
Showing posts with label bob hicok. Show all posts

Saturday, August 17, 2019

Hold - Bob Hicok (Copper Canyon Press)

Today's book of poetry:
Hold.  Bob Hicok.  Copper Canyon Press.  Port Townsend, Washington.  2019.



The South is the country I live in now

How I got talking to the guy I don't remember
on Sullivan's Island. Our dog was still alive
and had walked repeatedly illegally
on the beach according to the signs. Dolphins
needled back and forth, stitching waves together
almost close enough for me to hit them
with a rock, had I a better arm and more spite.
My wife held the shell of her sea-sounding head
to the shell of mine, we were empty
of worry and work and had seen where turtles
had come in to lay their eggs, I think
is what I pointed out to the guy
casting his line into an ocean to ask
what bounty it cared to share. Or the existence
of weather. Surrealism in French cooking. Whatever
we were talking about, smack-dab in the middle
or muddle of a sentence, I realized
I was looking at Fort Sumter and said, Oh my God,
that's where the Civil War began, my God
being no god but who's counting. And without
changing expression or clothes, levity or levitation,
he said, Yes, that's where the War
of Northern Aggression began. You should probably
know we were standing where slaves
had been brought in, since that's still a thorn
or red-hot poker in the paw of America
we're aces at pretending isn't there. Our height,
weight, color were very similar, and yet, had I or he
a womb or even eight, there's not a chance
we'd ever procreate, based solely on our views
of an island, making us technically
different species. I'm only thinking that
now. In the moment, what stood out was the gap
between the end of my sentence and the beginning
of his, something like a thousandth
of a breath, meaning the idea that the South
and slavery should have been left alone
is a loaded gun he carries everywhere he goes.
And of course we're not different species
but two guys with the same number of legs
and head and chromosomes, sons of the same mother
fucking war that isn't over.

💫💫💫

All Today's book of poetry can do is to apologize and hold our heads in shame, we've never read Bob Hicok before.  Don't we feel foolish?  Hold is Mr. Hicok's ninth collection.  We will hang our heads, but we'll also send Milo, our head tech and book scout, out into the ether to find Bob Hicok's other eight books.

One read through Hold and Today's book of poetry knew we were in the company of greatness.

These are great poems.  Capital G, Capital R, Capital E, and so on.  Hold is so damned smart and beautiful and true.  These poems - these are the poems that other poets dream of writing.

Bob Hicok goes right at the thing, no playing around on the edges, no confusion.  At one point Hicok tells us that "running with scissors is the only way to make danger understand."  You just have to laugh.  And then Hicok is on to some sunny, sexy ode of kind and generous persuasion directed at his wife, another on the importance of being a good person.  Hicok uses the legendary Boston Celtic, Bill Russell, as his example of a good person.

Today's book of poetry has a BBall past, Hicok's ramble on Russell made this basketball loving fool gobsmacked happy.

Encore

At the rehab center
late at night when my father
presses the call button,
someone hurries in
and shuts it off, thus maintaining
their quick-response rate, but leaves
without helping him pee, he tells me
in a whisper on the best
spring day of the year so far,
of the century: I could have picked
two hundred
million snowdrops on the way in
had I patience
and a doll's fingers.               He's afraid

of angering the staff and has learned to pee
on himself with dignity.        It's all

in the not-crying.                   In imagining

he's a chunk of wind
the next day while his penis
is being washed
and he can't feel it, just a sock
with a hole in it.                    I'm afraid

of the future.             That I'll need a gun

to help me out of the jam
of having a body.       Is what I'm thinking

while holding his hand, while believing
there's nothing to be done

about the weight of the night
on his chest except to lift him
and carry him home and give him back
to his own bed to live in and die in,
as he and mother
gave me to the sun all those years ago
to run under and end up here,
not knowing what to do
about the rumor that part of us
goes on after the heart's last sigh,
other than applaud the possibility
as I would a woman
standing up from a piano
after the gazelles of her hands
have stopped running, the music over
but not the chance for more music
if we clap enough that she believes
how desperate we are and that only
she can save us.

💫💫💫

This cat Hicok isn't afraid of a single thing, love, sex, death.  Lob them in and Hicok hits them out of the park.  Hold burns.

Bob Hicok makes Today's book of poetry a happy camper.  Bob, as we will now, overly familiar as hell, call Mr. Hicok, makes us want to write better poems.  Even more importantly, Bob makes us want to read more.  As old Willy Shakes had Miranda tell that old cat Prospero, "O brave new world. That has such people in it."  And you all know how much Today's book of poetry loves William the Shake.  Now Today's book of poetry is going to tell you how lucky we are to have a poet like Hicok.

Our morning read was a little more difficult than usual and Today's book of poetry will explain that in a moment.  Please know we gave Bob and his very fine Hold our open hearts and our best efforts.  None the less our Today's book of poetry did a sterling job.  Of course Hicok's poems were extremely helpful to the effort.

Today's book of poetry just loved the way the man thinks.

Our morning read was tempered by the news that Canadian poet Nelson Ball died yesterday.  We knew that Mr. Ball had been ailing.  Nelson Ball is one of the poets Today's book of poetry most admires and we are terribly sad to hear of his passing.  We do know he was with friends

Civilization

We were going along. Holding 
hands. When we came across a man
punching another man. My lover's
a creature wired with surprising
windings, and noticed the man
doing the punching looked tired.
She offered and was accepted
in her offer to punch the other man
for the punching man awhile.
Then gave me a look that said,
Where are your manners?
and I donated the punched man
my body to be his body
for a period of time. During
this rest, they took a tender
interest in each other, asking
after children and spouses
and bets on long-shot horses,
even sharing a ham sandwich
one had kept hidden & warm
under his arm. when they ran out
of things to say, rather than accept
the onslaught of silence, the one
tapped her shoulder and the other
mind. To his thank you, I said
a bloody you're welcome as we
walked off again holding hands.
Of all the reasons I love
my love, not the least is
she knows how the world works.
Badly. Etiquette is the way
she fights back. And with a right cross
I can tell you from experience
is lovely. My head still rings
from how considerate she is.

💫💫💫

This last poems tells me that Bob Hicok must have a K.  Today's book of poetry has a K and if he were a better writer he would have tried to write "Civilization" for her.

Take our weary word, Hicok is a poet who will break and strengthen your heart at the same time.


Bob Hicok

ABOUT THE POET
Bob Hicok's poems have appeared in a wide variety of magazines, journals, and anthologies, including the New Yorker, Poetry, The American Poetry Review, and numerous volumes of The Best
American Poetry.  His books have been awarded the Bobbit Prize from the Library of Congress and named a "Notable Book of the Year" by Booklist. Hicok has worked as an automotive die designer and a computer system administrator. He is currently teaching at Purdue University. When asked in an interview "What would Bob Hicok launch from a giant sling shot?" he answered, "Bob Hicok."

BLURBS
"Hold… urges readers to consider our faults as a nation—environmental destruction, gross financial inequities, police brutality. By turns wry and witty, Hicok’s plain-spoken writing highlights some of the pleasures and pains in this world, and humanity’s need for reflection."
     —Washington Post

"In Bob Hicok’s Hold… the poet’s humor, punning, wit, wisdom, and humility lead to small revelations, introspections, and musings on the human condition—all in the face of danger and atrocity. If Hold asks many questions throughout, they are not rhetorical, nor are they theoretical—instead, they’re practical questions about our world. In a unique blend of punchline and sincerity, Hicok confesses, ‘I’m scared, but not shitless.’ As its title might suggest, this book yearns for and struggles to hold strong to self and to community, to hold to the body, to hold to the world, to hold—yes—to optimism, to hope."
     —Arkansas International

"Bob Hicok is a spectrum... I’d love to see an MRI of his brain while he’s writing, as the neurons show us what’s possible, how a human can be a thought leader, taking us into the future… Hicok interrogates the world with mercy andwit and style and intelligence and modest swag. He’s one of America’s favorites—and to make the reader want to share the poet’s reality fulfills poetry’s finest aspiration."
     —Washington Independent Review of Books

"In his ninth collection, Hicok navigates a world bereft of empathy and kindness, leading by example with a charm and emotional intelligence that speaks to a deep insight into the human condition… Mixing cleverness with tenderness, Hicok demonstrates how to be a beacon of light in the darkest of settings."
     —Publishers Weekly

"As always, the multi-award-winning Hicok manages to be both freshly whimsical and knife-sharp insightful in his latest collection."
     —Library Journal

"Bob Hicok is that rarity, a cheerful contemporary poet―if not completely happy, still hopeful and celebrative."
     ―Los Angeles Review of Books

"Yet ultimately the most potent ingredient in virtually every one of Bob Hicok’s compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there’s almost no problem that can’t be solved by this poet’s gentle humor."
     ―The New York Times Book Review




Poetry@Tech
Bob Hicok
Video: PoetryAtTech


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.


Goodnight Nelson Ball

1942 - 2019


Image may contain: 1 person, smiling, glasses



Tuesday, October 18, 2016

A Dog's Life - Adam Scheffler (Jacar Press)

Today's book of poetry:
A Dog's Life.  Adam Scheffler.  Jacar Press.  Durham, North Carolina.  2016


Adam Scheffler is singing a big, big song in A Dog's Life and it is mostly a song of joy.  You'll hear a few complaints and genuine concerns along the way but that's only natural. Mostly Scheffler is aiming high, he's generous and kind.

Scheffler ruminates at length in his conversational and prosodic style and boy oh boy do we like to listen.  There's nothing naive about the poems in A Dog's Life but there is a certain innocence.  Adam Scheffler's innocence has some experience to it.

Years ago I published a poem that had a line in it that insisted you can't have innocence and experience too, they are two separate horses bursting out of the gate.  Well, apparently I was wrong.

Woman and Dogs

My girlfriend's dog is small and fat and neurotic
and smells at night like an African meat flower.
It loves her more than some people love anyone
in a riddle of love it worries at, lying there on the floor.
As she writes it makes strange sounds:
lickings, sighings, sucking, shiftings
like the worrying-tide of the world, like the vast
dog-tide of the world in its love of the moon
and of fetching sticks. My girlfriend is very quiet
and very white like the moon, and some people think
she is cold and uncaring just like it.
But her dog knows better, it knows she is quiet
like the sun as she writes her stories
tapping them quietly with her fingers, shaping
the messages she has heard of painful warmth
and love, quietly as a tree repeating the hard message
of the sun in its devotion of leaves and listening.
I have listened carefully to the dog. I have stolen
the dog's secret about her. I have figured it out.
She is quiet and so she writes long stories
and I am loud and so I write quick poems
tiring myself out more quickly to look up at her
as lovingly and neurotically as the dog
perhaps never as lovingly as the dog
who unlike me has nothing to prove
who does not write poems except the thought-poems
of the chase, the sky, the walk, the meal.
Sick of the dog, I have had too much also of poems
petulant, filled with strange achings
I think of my navel which is too deep like a mine
I send my finger into it like a canary and feel sad
and weird and know I will die. But sometimes
she tells me she likes my chest and I take her
in my arms and feel for once superior to the dog.
Before this dog she had another dog I never met, a
golden retriever, who was not at all neurotic
who swallowed her childhood happily
like a white spiral fossil and brought it back
covered with a fine varnish fine slobber of evening
and died, and now is only a picture in a cheap frame
on the top of her desk as she writes. It makes me think
of all I can't see: the long list of books she gave me
how they existed all my life and before it
and her story right now invisible to her too
like the idea of a flower to all the roots underneath
their gossipy brags and worries: how their flowers
grow tall as the spine of a young boy, go blue
as a nun's lips in winter, unless the earth goes
upwards forever unbroken - but there she is
at least, complete: watched by the dog who is dead
watched by the dog who smells bad and is alive
watched by me, who am sick of poems and of life too maybe
but am alive and glad to look at her, at the tiny mark
on her cheek where the clamp brought her forth kicking
from the womb to sit one day quietly in the
wound and fury of writing before the three of us
who cannot help, who wait in aches and shiftings
for her to turn round and speak gently our names.

...

Today's book of poetry found a lot of joy in A Dog's Life despite the arrows of real life skewering hearts, Scheffler has created an entertaining and compassionate balance in these poems, a sense of hope.

We do hear about the irresponsible parenting skills of pandas and the inexplicably large salary of a business man from Tulsa, there are laments of different orders peppered here and there, but Scheffler never loses his focus.  The dark is only ever a reminder that the blue sky is coming.

Great Grandfathers

They sit quiet in murmuring
restaurants, at family gatherings,
wearing old paisley ties and tweed,
hands folded on their laps,
ready to ask for the one thing on the menu they can order
for old age means fewer choices.

At the end of the table
they float on pillows, counting out
the abacus of their pills
for they are unhearing
though their ears are swollen up
big as cabbages in lovely whorls,
cobwebs, funnels gathering darkness.

Their boredom is loud though,
a knot we try to untie with talk.
They catch a few words, maybe,
or let them drift past like feathers,
turning their eyes inwards
to the root cellar where memories
and dreams grow twined.

...

It came as no surprise to Today's book of poetry that most of this collection had been previously published in scores of magazines and journals.  Good ones.  In fact it pleases Today's book of poetry to know that the editors of these publications saw what we see, Adam Scheffler writes damned good poems.

A Dog's Life comes right up to you just like a friendly dog, licks your hand, settles down at your feet and you feel reassured.

Our newest staff member Odin was particularly charmed by Scheffler's poems and made a special request that I post the following poem.  Apparently Odin never met a waitress he didn't love.

Waitress

Half the men in here tonight
are in love with her,
ordering twice as much wine
as they planned,
getting quite drunk.
She's not beautiful
quite plainly dressed,
in overalls,
in her early 50's. But the men
look up and drink,
admiring her no-makeup,
her aloofness,
joking to see her smile blandly
and glide away,
making empty plates vanish
like any hope of her number.
They are in love for once
without desire, as she recites
tonight's specials
from memory, taking orders
in her head too,
forgetting nothing, leaving them all
feeling that care and
distance are what they wanted,
not love after all.

...

Today's book of poetry felt that the poems in Adam Scheffler's A Dog's Life were straight forward and true.  You will feel better about the world after reading these poems.  Reason and hope go a long way to beating back the darkness.

Image result for adam scheffler poet photo
Adam Scheffler

ABOUT THE AUTHOR
Adam Scheffler grew up in California, received his MFA in poetry from the Iowa Writers' Workshop, and is currently finishing his PhD in English at Harvard.

BLURBS
“A Dog’s Life is a delightful romp through Americana by way of ‘real’ America with sly, politically engaged poems. Though this poet issues a rallying cry against ‘siren songs of entertainment,’ his poems are completely entertaining but, at the same time, completely wise. He takes on true love, extinction, our fragile environment, war, technology, porn, aging and our fight against it, cancer, nursing homes, and death. A Dog’s Life is an enlightened look at Doritos, Carson Daly, Walmart, McDonalds, theme parks, and, of course, dogs.”
     — Denise Duhamel

“The real singers – whether lamenting or praising – give us a sense of life as larger than we could have expressed before they arrived. With an explorer’s curiosity and drive, Adam Scheffler turns his poems into a treasury. He speaks of the value and wonder in small and large things, and like a dog (the dog he’d have us believe his soul is), meets the world with undisguised exuberance. These poems are spiritual in the way poetry is best suited to be: they articulate our good fortune to be alive.”
    — Bob Hicok


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.

Thursday, October 23, 2014

The Year Of No Mistakes - Cristin O'Keefe Aptowicz (Write Bloody Publishing)

Today's book of poetry:
The Year Of No Mistakes.  Cristin O'Keefe Aptowicz.  Write Bloody Publishing.  Austin, Texas.  2013.


Cristin O'Keefe Aptowicz is so damned smart she must glow in the dark.

And she gives us hope.

The Bowery

We danced like ball bearings.
We laughed like ripped newspapers.
We smoked like backwards rain clouds.
We kissed like slammed doors.

We drank like taxi cabs in snowstorms.
We ate like honeybees swarming bears.
We screamed like willow trees in windstorms.
We wrote like a knife to our throat.

We fought like a thousand, tiny paper cuts.
We struggled like teeth against brick.
We fucked like rubber-necked car crashes.
We loved like we invented it.

...

This is the sort of poetry I like best.  Almost every moment is filled with a twist of language that is an instant familiar or a reminder of something you think you should have known.  Aptowicz is clearly from that clan that perfects language for the rest of us.

Dazzling isn't too bright a word.  This poetry is as honest as a child without guile.

The Year Of No Mistakes is hilarious and as engaging as a phone call from an old friend.

Not Doing Something Wrong Isn't The
Same As Dong Something Right

In my defense, my forgotten breasts. In my defense, the hair
no one brushed from my face. In my defense, my hips.

Months earlier, I remember thinking that sex was a ship retreating
on the horizon. I could do nothing but shove my feet in the sand.

I missed all the things loneliness taught me: eyes that follow you
crossing a room, hands that find their home on you. To be noticed, even.

In my defense, his hands. In my defense, his arms. In my defense,
how when we just sat listening to each other breathe, he said, This is enough.

My body was a house I had closed for the winter. It shouldn't have been
that difficult, empty as it was. Still, I stared hard as I snapped off the lights.

My body was a specter that haunted me, appearing when I stripped
in the bathroom, when I crawled into empty beds, when it rained.

My body was abandoned construction, restoration scaffolding
that became permanent. My body's unfinished became its finished.

So in my defense, when he touched me, the lights of my body came on.
In my defense, the windows where thrown open. In my defense, spring.

...

Cristin O'Keefe Aptowicz takes things as seriously as a Richard Pryor heart-attack or a Sylvia Plath swoon, and never looses her balance.

Aptowicz's powerful, powerful poems are never bullying or academic.  They are wise beyond her years, whatever the hell her age is.

If you have friends who don't read much poetry, and you want a guarantee to knock their socks off - show them this book.

My Tiny God

likes balance. He has me step in dog shit today
so I might catch an express train next week. He likes
how happy I am to earn it. How suffering to me is
like loading a gift card in karma's outlet mall.

My Tiny God knows I like established paths, following
dotted lines to my destination. My Tiny God thinks
no one learns anything that way, turns off the headlights
when we're still racing down a road.

Still, My Tiny God is the one I pray to on a rainy tarmac,
in the waiting room, on the other end of a static-filled line.
My Tiny God doesn't always take my calls. I don't know
if he listens to my voicemails. Sometimes he goes missing.

I remind myself he doesn't have to watch over me all the time.
He doesn't need to carry his scale everywhere. He is allowed
to get bored. He doesn't have to watch me write for me to know
that he likes it when I've written, to see the paper pile up.

These days, My Tiny God clocks in every morning. Coffee,
our favorite miracle. Work, our favorite song. Faith, our lucky
number. He pours sunlight on my like syrup, fluffs every cloud,
smacks the birds from the trees just so I can watch them scatter.

...

Today's book of poetry needs to develop a scoring system (not), just so books like this could go to the top of it.  The Year Of No Mistakes by Cristin O'Keefe Aptowicz is electric energy you hold in your hands.

Cristin O'Keefe Aptowicz

ABOUT THE AUTHOR
(Please note, this bio was "borrowed" in full from the author)
Cristin O’Keefe Aptowicz is the author of six books of poetry (including Dear Future Boyfriend, Hot Teen Slut, Working Class Represent, Oh, Terrible Youth and Everything is Everything) as well as the nonfiction book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam, which Billy Collins wrote “leaves no doubt that the slam poetry scene has achieved legitimacy and taken its rightful place on the map of contemporary literature.” On the National Endowment for the Arts (NEA) podcast Art Works, host Josephine Reed introduced Cristin as being “something of a legend in NYC’s slam poetry scene. She is lively, thoughtful, and approachable looking to engage the audience with her work and deeply committed to the community that art (in general) and slam poetry (in particular) can create.” Cristin’s most recent awards include the ArtsEdge Writer-In-Residency at the University of Pennsylvania (2010-2011), a National Endowment for the Arts Fellowship in Poetry (2011) and the Amy Clampitt Residency (2013). Her sixth book of poetry, The Year of No Mistakes, was released by Write Bloody Publishing in Fall 2013 and her second nonfiction book, Dr. Mutter’s Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine, was released by Gotham Books (Penguin) in Fall 2014.


For the truly curious, here’s the longer story:

Cristin O’Keefe Aptowicz (b. 1978) was born and raised in Philadelphia. In 1996, she graduated from Central High School of Philadelphia, and moved to New York City to attending NYU’s Tisch School of the Arts. She was a sophomore at NYU when she was first introduced to poetry slams by her classmate, Beau Sia. In 1998, Cristin co-founded the NYC-Urbana Poetry Slam, a weekly reading series dedicated to showcasing the most innovative voices in poetry. NYC-Urbana has captured the National Slam Championship title three times and won the first ever Group Piece Nationals, which celebrates multi-voice poems. The NYC-Urbana Poet Slam is still held weekly at NYC’s famed Bowery Poetry Club.

After college, Cristin worked as an editor for the “Adult” section for online portal About.com (serving as inspiration for her book, Hot Teen Slut), slung coffee as the founding cafe manager for the Bowery Poetry Club and served as a rights manager at the Artists Rights Society.

In July 2010, she was named the 2010-2011 ArtsEdge Writer-in-Residence at the University of Pennsylvania, where she spent the year researching and writing a book on Thomas Dent Mütter, founder of the Philadelphia’s (in)famous Mütter Museum. It was during this residency year that she was also awarded a 2011 National Endowment for the Arts Fellowship in Poetry.

Cristin continues to perform and lecture internationally & nationally, including residencies with or performances at the Sydney Opera House, the Gasworks Art Complex (Melbourne Australia), Joe’s Pub (at NYC’s Public Theatre), the Largo Theatre (Los Angeles) and over 100 universities and colleges, including but not limited to Yale University (CT), Brown University (RI), Columbia University (NY), Massachusetts Institute of Technology (MA), Dartmouth College (NH), Boston University (MA), Brandeis University (MA), Amherst College (MA), University of Pennsylvania (PA), University of Chicago (IL), New York University (NY), University of Alabama (AL), University of Arkansas (AR), Minnesota State University (MN), State University of New York (Freedonia) (NY), George Washington University (DC), University of Maryland (MD), Berklee College of Music (MA), Penn State Berks (PA), College of Saint Rose (NY), Columbia College (IL), Hamline University (MN), Eastern Illinois University (IL), Tennessee Tech University (TN), Husson University (ME), Goucher College (MD), Colby-Sawyer College (NH), Slippery Rock University (PA), College of St. Benedict (MN), Universities of California (Santa Cruz and Davis, CA) and Universities of Australia (Melbourne and Sydney, Australia), among others.

Her poetry and non-fiction has been published in various journals, including Rattle, McSweeney’s Internet Tendencies, Pank, La Petite Zine, decomP, Umbrella, The Other Journal, Danse Macabre, Conduit, Barrelhouse and Monkeybicycle, among others…

From February 2013 to August 2013, Cristin was the 2013 poet-in-residence at the Amy Clampitt House, where she finished her sixth book of poetry and sold her second book of nonfiction

Her sixth book of poetry, The Year of No Mistakes, was released by Write Bloody Publishing in Fall 2013 and her second nonfiction book, Dr. Mutter’s Marvels: Thomas Dent Mutter and the Dawn of Modern Medicine, will be released by Gotham Books (Penguin) in Fall 2014.

For more information on forthcoming gigs, recent press and/or her schedule of performances, please see here or write aptowicz@yahoo.com.
BLURBS
"Though this a book full of trouble--there's a lot of un- and underemployment; and though love is found, love is mostly lost--Cristin O'Keefe Aptowicz is really a poet of honesty and humour. Through all the transitions and difficulties presented here, affection lingers in and hovers around these poems, particularly an affection for place, for the cities she has moved through and taken into her being. "I meet you here at the intersection of pitbull and/pigeon"--passages like this offset the day-to-day struggle with language that is simultaneously accurate and transformative, giving us both a take on the world as it is and a sense of the better world our minds can make. Whenever I meet this poet, I want to stay."
     Bob Hicock, Poet and two-time National Endowment for the Arts Fellow

"Haunting, lovely and heartbreaking. The Year Of No Mistakes is a revelation. It is Aptowicz's best book yet: a poetic Odyssey that takes the reader along on her journey of personal transformation, leading us from love to loss to new frontiers. This book will feel like home to anyone who has ever faced a dark night, or even a dark year, of the soul. Cristin O'Keefe Aptowicz is the poet laureate of your heart."
     Wess Mongo Jolley, Poet & Founder of the Performance Poetry Preservation Project (P4)

Crispin O'Keefe Aptowicz
Cristin O'keefe Aptowicz, author of "Words In Your Face: A Guided Tour Throught Twenty Years of the New York City Poetry Slam", published by Soft Skull Press, performs her Spoken Word Poem "Notes on Rejection" as part of the Junkyard Ghost Revival tour with Anis Mojgani, Buddy Wakefield and Derrick Brown at Brown University, October 2008 
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