Showing posts with label mary oliver. Show all posts
Showing posts with label mary oliver. Show all posts

Tuesday, October 13, 2015

Changelings - Cassy Welburn (Frontenac House Poetry)

Today's book of poetry:
Changelings.  Cassy Welburn.  Frontenac House Poetry.  Calgary, Alberta.  2015


Cassy Welburn's Changelings reads like a book of incantations.  Welburn has an other-worldly noggin' and is translating these missives from languages we are yet to know.

These are deeply personal narrative poems that are attempting to make us see new worlds, better understand our own.

The Solitary Cyclist

My thirteen year-old self comes unbidden
out of the sky,
always on the same strip of road
on the outskirts of memory,
coming right at me
cycling home from school
in the wide green spring,
birds chattering through the pedals
to the click and whir of wheels,
leaning over the handlebars,
her eye on me,
she startles with familiarity,
beckons me slowly
from my life of glass--
this state of emergency.

Nothing should be lost,
she says,
and I'm caught
on this path, this hill,
while my body
whatever age it has become
or injury sustained,
remembers
her centre of gravity,
the spokes beneath me
turning.

...

"in the wide green spring."  This is such a simple perfection, Welburn laces these poems with gems like this as though she were tightening her skates and about to do double-axles, score on a breakaway.

Todays' book of poetry was utterly enchanted by Welburn's poetry.  Although there are many voices at hand the reader always feels secure because Welburn's steady countenance cornerstone's every poem.

Welburn counts on a little help from friends like William Butler Yeats, a quick kick in the pants from Walt Whitman.  David Bowie, Francis Child and Mary Oliver make guest appearances.  Gerard Manley Hopkins rears his old head and the nicest man on the planet, President Jimmy Carter, kicks in his two lovely cents.

Welburn understands the universe and our small part in it.  These poems feel wise but hard won.

At a Morning Truck Stop

The waitress calls out orders
over the sound of retarder brakes
and exhaust,
will that be to stay or to go?

Men climb down from their
diesel bodies, pull off caps,
as heat goes picking its way
across the parking lot
looking for plunder--
the swollen bag the busboy leaves in the bin,
a squirrel's bid for freedom
before the lid clangs shut--
a young woman leaning against the tire
of her car to smoke, a map of her whole life
spread out on the pavement--
Will that be to go or to stay?

Her young daughter's small
round head peeks
up through the sun roof,
eyes blue and cloudless,
cheeks catching the air,
right here,
one small glimpse
of paradise.

...

These poems are aching to connect.  The characters Welburn inhabits and conjures flay themselves open to make that human connection, that moment where understanding reveals the hearts' intent.

Today's book of poetry was consistently surprised reading Changelings.  Reading Welburn is a bit like watching the high jump competition at the Olympics, the bar just keeps getting raised by one gloriously beautiful leap after another.  We forget that this flight is human effort as we learn to enjoy to the soar.

Wade in the Water

The drowning man
still has a hospital bracelet around his wrist
though the name is washed out.
I've changed my mind, he says
almost cheerfully
allowing us to pull him from the river.
A light jacket and pajama pants
cling in sodden embrace,
outline his lean bones.
Memory fading, he's aging
before our eyes, forgetting already,
why we are there.
They're taking my wife away,
he says, teeth beginning to chatter.
We have a blanket around him,
carry him from the cold current of his mind
into the lap of the present,
jolt him with questions, pull down his patience
take him back where he does not belong.
There's a river flowing, he says, I saw
it from the window. Reminds me of the
sound of my own blood.
I wanted to go down there,
you know how they dunk you,
let the river wash over you, give you a new name?

...

It's a dark and rainy morning here at Today's book of poetry, Pharoah Sanders is wailing away on the box, "Save Our Children", live, it's booming and I'm blog-happy.  Day after day I get these marvelous books of poetry in the mail and Cassy Welburn's Changelings makes for an ear-mark day.  Good poetry is something magical because it changes your view of the world.  Welburn casts a spell that is both desolately honest and human about our grim world and yet she manages to find hope.

President Carter is quoted in the last poem of this collection, the last two lines in fact.  I think it sums up Welburn's poetry and frame of mind:

"We are attempting to survive our time
      so we may live in yours."    - President Jimmy Carter


Cassy Welburn

ABOUT THE AUTHOR
CASSY WELBURN is a poet and storyteller whose work has appeared in literary journals, anthologies and on CBC radio. She has travelled across Canada sharing her work at festivals, and for audiences of all ages. She works part time as a teacher to new Canadians and as Artist in Residence at many schools. She lives in Calgary, Alberta.

BLURB
“Cassy Welburn writes with insight and revelation, as she examines the nuances of personal story, transformation and healing. Her poetic narratives integrate strong images with lamenting vignettes. Welburn presents her reader with rich portraits of people and landscape, through a tight lens and then again through the optic of a hermetic breath.”
      – Sheri-D Wilson


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Tuesday, January 6, 2015

The Beauty of This World - Rosemary Zurlo-Cuva (Parallel Press)

Today's book of poetry:
The Beauty of This World.  Rosemary Zurlo-Cuva.  Parallel Press.  University of Wisconsin-Madison Libraries.  Madison, Wisconsin.  2014.


"A lifetime isn't long enough for the beauty of this world,
and the responsibilities of your life.

Scatter your flowers over the graves, and walk away."

                                                                   Mary Oliver
                                                                   from Flare 12

Rosemary Zurlo-Cuva starts her marvelous chapbook The Beauty of This World with this perfect Mary Oliver quote.

It is the exact right tone to set for these poems.

Zurlo-Cruz is subtle and slightly subversive.  These poems start you in one clear direction, a recognizable path and then Zurlo-Cruz effortlessly turns the world around under our feet.  It is an accomplished feat of engineering, an impressive skill to have.

We Have Always Known Grief

There were always the fireflies, rising
out of the grass at dusk, the call of crickets
at summer's end when the fat milk pods begged
to be split and their seeds to float like
questions on the wind

and the endlessly churning lake, impervious
to the cries of seagulls, changing color with each
passing cloud, smoothing bits of shattered
bottle glass and spitting them back
as jewels to be treasured and forgotten
in a small girl's pocket

the roar of the city bus after depositing
the cleaning ladies on our unimproved
suburban lanes as if aliens from
another planet, the immigrant grandmother
enthroned on a lime-green plastic
lawn chair, tugging her black sweater close
on the hottest summer afternoon.

...

Zurlo-Cuva's poem "Post Card to My Mother" rang so familiar to me that for a moment I thought I'd written it, which is faint praise for poor Ms. Zurlo-Cuva - but this poem paralleled my life experience in the most surrealistic way.

I had to share it with Today's book of poetry readers.

Post Card to My Mother
                            -Winchcombe, Gloucestershire

On the lane from Sudeley Castle, a shaded
stone bench beside a brook and a meadow. A horse
grazing far off in the corner seems not to notice
when I sit down to rest from the gravel dust
and a midday sun. "You've dreamed your whole
life about England," my mother said as I packed
to leave. "I worry the real thing might
disappoint you." It went unsaid
the number of real things that had come
to disappoint her.

I pull a post card and a pen out of my pack
and pause, listening to the rush
and slap of the brook over stones, the world
imperturbably green. I sit frozen long enough
that the horse comes to investigate, leaning
over the fence to blow a puff of hot breath
on my shoulder.

Years later, boxing my mother's things, cleaning
out her desk after the funeral, I find
among the other letters and cards, the one
picturing Sudeley Castle. On it I had written: Dear Mom,
I am not disappointed.

...

Well that teared me up real good.  Caused a tear for one or two of our interns as well. Handkerchief time.

There are no pyrotechnics or marvels of post-modernist construction in The Beauty of This World.  These poems are old-school, bell in the belfry, certain.  The ring with clarity.

My Mother's Bones

We buried her in pink Pumas -- her last
mail-order purchase -- and now I can't stop
picturing those sneakers cradling
the small, gnarled bones
of her feet. We ought to have dressed
her in woolens, a London Fog
for the damp, instead of the pale
summer dress she'd worn to parties
and teas, and matched
her vivid blue eyes -- so thoroughly
unsuitable for an eternity
in the ground.

...

Rosemary Zurlo-Cuva's solid poems are ones you could hang your hat on, come in, make yourself at home with.

Today's book of poetry staff all liked this book, solid as rock, subtle as a knowing whisper.

Rosemary Zurlo-Cuva

ABOUT THE AUTHOR
Rosemary Zurlo-Cuva grew up in Milwaukee, got her undergraduate degree at the University of Wisconsin-Madison, and has lived there ever since. She works as a journalist, editor, and writing teacher. Her novel, Travel for Agoraphobics was published as an e-book in 2011.


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.