Showing posts with label rebecca wolff. Show all posts
Showing posts with label rebecca wolff. Show all posts

Sunday, February 18, 2018

Cheer Up, Jay Ritchie - Jay Ritchie (Coach House Books)

Today's book of poetry:
Cheer Up, Jay Ritchie.  Jay Ritchie.  Coach House Books.  Toronto, Ontario.  2017.


"like an inner tube at a pool party
nostalgic for asphalt."
                                                                                    "Upcycle" - Jay Ritchie

Jay Ritchie has reimagined what Richard Brautigan might be saying were he alive and living in Montreal.  Cheer Up, Jay Ritchie does not emulate Brautigan so much as doff the hat in admiration as it continues along in its Jay Ritchie way.  No disservice to the esteemed Mr. Brautigan, Today's book of poetry holds his work in high regard - but Mr. Ritchie is a richer serving.

Today's book of poetry generally has a difficult time with poetry carved from surreal dreams but like my hero, Stuart Ross, Jay Ritchie operates with such efficiency and sleight of hand that you are at his mercy.  These poems are tangential superheroes and dream-thought riddled with reason.

Cheer Up, Jay Ritchie tries to wrestle the norm out of the daily grind and succeeds with a Cool Hand Luke grin.

The Waiting Room

requires a series
of short commitments,
the way Highway
I needs to 
be reimagined after
each pirouetting pine
tree, the way
an extension cord
needs to be
wound eight times
before it is
a noose. I
made a promise
in the driveway
not to go
inside until I
had sunk twenty-three
baskets consecutively. Light
has a special
way of falling
into polygons in
the waiting room.
The sewage truck
is idling outside
the walk-in clinic
beside the public
library. People fall
out of my
life like oranges
off the back
of a truck.
Residents of Heatherglen
Housing Co-operative Ltd.
were not informed.
A paint stain
on the window
starts to look
modern. The rehabbed
juvenile delinquent said,
Building a house
is just a
series of small
tasks that amount
to something big.
I was out
there in the
driveway until dark.
Here, the Venn
diagram made by
the water's surface
and lip of
the glass. It
was a promise
I made to
luck so that
luck would be
promised to me.

...

Truth be told, and Today's book of poetry always tries to tell the truth, some of Cheer Up, Jay Ritchie may have escaped our feeble grasp.  When I passed Cheer Up, Jay Ritchie around the office before the morning read the response was universal: everyone loved the journey but no two of us ended up in the same place.  Today's book of poetry likes to read poetry that takes the reader out of their comfort zone and Ritchie succeeds.  Cheer Up, Jay Ritchie uses sly humour and the reader is never quite certain if Ritchie's witty asides are detachment or genuine and gentle wonder.

Today's book of poetry had no problem at all believing whatever Ritchie had to say.  These poems rang true, from start to finish, like a metronome.

Loud Familiar Sound

At the end of the year with my bags asking to be let in to the
present. Single-family detached homes with comparable square
footage curve gradually with the cul-de-sac, as usual. Did you
see the addition to the business park? Nothing hurts like not being
in on the joke. My friends tell me I have a tendency to distance
myself from friends, which is troubling. Walking home involved
a Walmart, an overpass, a business park, real estate, a Catholic
elementary school, and a cosmic sense of purpose determined
by faulty or burnt-out street lamps. This is how I remember it:
I learned geometry from rooftops. I might carry my laptop over
the back deck in the morning with a cup of coffee and consider
how a rainbow's favourite high is gasoline. I might be closer to
what I was walking toward and further from where I wanted to
be. I'm unsure if the leaves are a part of the plan. Airport security
said, The easiest way out is to look for an entrance.

...

Our morning read was a rapid-fire affair.  Ritchie's poems elevated the mood, the sun was actually shining in through the windows and had Mr. Ritchie heard our din I'm certain he would have been cheered.

Cheer Up, Jay Ritchie is the genuine article.  Ritchie is playing the long game, he strings things out onto a high wire, adds a bicycle, and then a beach ball, and then the elephant in the room jumps onto the wire.  Everything ricochets skyward, airborne, juxtaposed, upside down and clearly doomed until Ritchie juggles them back down to the wire, each one precariously balanced in the good graces of the others.  

Jay Ritchie is welcome in the Today's book of poetry poetry kitchen any time.  Ritchie can burn the house down.

Celebration of Life

Every mourner was given
a blue, yellow,
or green helium-filled balloon
and was pushed out
into the snow-covered field.
Releasing the balloon
into the troposphere
was a symbolic gesture
for the final stage
in the grieving process:
acceptance, or 'letting go.'
How many leatherback
turtles are going to die

from this mass act of littering?
I had done a project on
leatherbacks in Grade 7.
It was the fourth consecutive day
of putting my suit on, and the fourth
consecutive day of putting
ice cream in my coffee.
Three people had died
in one day, and for three days
there was one funeral per day -
except today is different, today
is a celebration of life.
I unparked the SUV

from the half-frozen mud.
What is going to happen
to everyone's nice shoes?
The nonsmokers look so natural
holding their cigarettes.
I wanted to clarify some negative
comments I had made, but I did not
expect to encounter absence,
which is no encounter at all,
just a persistent humming
at the highest audible register
and its root note at the lowest,
making a chord

with idling city maintenance
vehicles. The possibility
that photographs would be
insufficient occurred to everyone
at once, it was unanimously decided
someone would make a DVD.
The Rocky Mountains
had a better understanding
of us, they had seen
the oil barons as heroes
and were less anxious, they said,
Squint, you can see tomorrow
through tiny pinholes in the air.

...

Today's book of poetry was thoroughly entertained by Jay Ritchie, he certainly cheered us up.  Cheer Up, Jay Ritchie may offer some of the most original poetry you've read this year.

Image result for jay ritchie photo

Jay Ritchie

ABOUT THE AUTHOR
Jay Ritchie was born in Thunder Bay, Ontario, and lives in Montreal, Quebec. Cheer Up, Jay Ritchie is his first full-length collection.

BLURBS
‘With their clever – but never glib – concision of image, and emotional directedness, these poems actually make me feel something, and that is something I really enjoy.’
     – Rebecca Wolff, author of One Morning

‘Ritchie throws black holes on the wall, disappears through them. His poems are like dreams dreamed mid-movement, just before something happens, as if light, buildings, breath, parakeets, hope, haircuts, Montreal, and art-making are all fragments of the same epiphany.’
     – Sean Michaels, Giller Prize-winning author of Us Conductors

‘Charming, funny, and often elegant. This is a formidable collection.’
     – Ben Fama, author of Fantasy




Jay Ritchie

Jay Winston Ritchie - Poetry (part1) @ Bain Saint-Michel, Montreal
Video: Neil Corcoran


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.
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Wednesday, July 8, 2015

Warden - Rebecca Wolff (Ugly Duckling Presse)

Today's book of poetry:
Warden.  Rebecca Wolff.  Ugly Duckling Presse.  Brooklyn, New York.  2014.


Brooklyn New York's Ugly Duckling Presse is to be admired.  Along with pounding out dozens of the most interesting books of poetry every year they also produced chapbooks of equally assured and sterling quality.

Rebecca Wolff's Warden is a bit of a banshee scream.  These poems bitch, squeal and moan electric about someone who dared die before a mutual story-line played out.  True love defeated by a mistaken tick in the eternal clock,

But this is no Romeo and Juliet, Wolff is a modern, urbane survivor, burdened with that pain only the left behind know.

Admit No Impediment

I'm going to get up from the table
and go to the bathroom.

When I get back,
if your napkin has moved
from the left side of your plate
to the right, I'll
know you want to.

There will be no need to speak.
Or, wait a minute,
maybe it should be if your napkin
hasn't moved.

I want to make this
as easy for you
as I can.

...

Warden can be sultry, seductive and completely surprising.  Wolff keeps a strong straight arm on tone, does not allow her mourning to become maudlin, but she is enduring truly sad glamour.

People channel grief in a infinite variety of ways, Wolff's narrator's grief is tied inextricably to her libido, her passion is a direct tie to the prison Warden leaves her in.

How Could I Have Gone So Batshit Crazy

I'll tell you exactly.

When I could no longer have you with me
or beside me,
I was beside myself.

The fibre
interoptic
and when severed

all my heart's blood ran out. I died. But I was

walking around dead and with your ghosted head

beside me all the time, on excursions

to get groceries, seated
by me

on the train, where
we
had never ridden
together
but we were

going places, you and I, I had to keep

you with me

so my eyes

inside your head
and all

through your eyes. Mania of
seeing through your eyes. At the molecular level, I
     reconstituted dead,
and even now the only happiness

that I know
is in those instances when I am mad again
and know
your love for me
again. Know it.

...

It's impossible for me to really consider what life might be like if I were to lose the woman I love.  I do think it is possible it would create moments of madness mixed in with the torrent of grief.  I've watched dear friends deal with this magnitude of loss and have never wanted to invade the privacy of it.

Rebecca Wolff's courageous prisoner doesn't appear to have that option, she is pleading for parole.

Let Your Secrets Die With Me

Coming flying around the corner as I do my only wish

is just to see you. Your head your face attached. Narrow

and finessed -- I only wish

just to see you. This is all that is left. And yet, and yes, that's total,
     what's broke, what is sorrow. What I learned

now to arrive: booming into sound, taking my only name
back from the crowd. You never spoke to me of

nothing but love, you never always said the things made a
template. I have

both the single and double and the minor in my rucksack. I
     have everything
that's yours and all the things you never gave me. I have gone

another round the corner left here. There is a place you left me.

Come now to the hollow derivation of your names. Egress further
complication to the name. You think cryptic stands of willow bank

caress my name? These are the famous sayings I have time and time
again professed, my public name. Tourniquet

correct, oblong

cancellation, I died when we were parted because everything
    you told me.

Caring only for your answer: die
today again when nothing tells me. That totality

was your name and what you told me, dies with me.

...

Wolff isn't looking for an easy way out of her morass and we all know that isn't there, but singing is a part of sorrow in many cultures and Warden is one plaintive song with monster High C clarity.

Today's book of poetry likes genuine, some dirt under the fingernails, Rebecca Wolff is all over that.

Rebecca Wolff

ABOUT THE AUTHOR
Rebecca Wolff is the author of three books of poems (Manderley, Figment, The King) and a novel,The Beginners, as well as numerous pieces of occasional prose. She is the editor of Fence and the publisher of The Constant Critic. A fellow at the New York State Writers Institute at the University at Albany, she lives in Hudson, New York with her children.

BLURB
Wolff brilliantly refuses to look over her shoulder as she writes and the pain that generated Warden is on full display, showing her injuries with greater ease and depth as the book nears its end and with devastating accuracy. Her poems remind us that no matter what, we must love, and the greatest pain is when that love fails.
     —John Ebersole


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.