Showing posts with label rhea tregebov. Show all posts
Showing posts with label rhea tregebov. Show all posts

Tuesday, November 10, 2015

Kingdom - Elizabeth Ross (Palimpsest Press)

Today's book of poetry:
Kingdom.  Elizabeth Ross.  Palimpsest Press.  Windsor, Ontario.  2015.


The best thing about my position as Over Lord here at Today's book of poetry is that I get to read a lot of poetry.  It's a strange world indeed, for me to read all these poems is a privilege.  For my splendid in every way next door neighbour it would be a torture worse than being staked to the ground over a nest of fire-ants.

So with all this poetry to read I was still startled when reading Elizabeth Ross's Kingdom and encountering a poem I already knew.  This is Ross's first book.

It took me a minute until I placed it.  When it came to me it was an aha moment.  Of course Sue Goyette and Molly Peacock had included a Ross poem in their excellent anthology The Best Canadian Poetry 2013 In English.  

You can see Today's book of poetry's look at the Goyette/Peacock anthology here:
http://michaeldennispoet.blogspot.ca/2014/08/the-best-canadian-poetry-2013-in.html

I'm taking an accidentally long route to the heart of the matter, it's not on purpose, but Elizabeth Ross's Kingdom has me swaying on the branches of a memory tree.  Somewhat wobbled like when you hear that one Van Morrison song that makes you weak in the knees.

Prayer

Raise me to cook a healthy diet.
To write thank you letters. To set
and unset the table. Carry things.
Fetch things. Make my bed.
Raise me to behave myself.
No boyfriends with long hair
and ripped jeans who say "chill."
Rap is a definite no:
no bling, no belly buttons.
Raise me to teach myself
a lesson -- perhaps the new French
phrase I learned in school -- tais-toi.
Teach me to keep secrets. To stay
out of other's private business:
rooms, closets, drawers.
To understand not everyone
will like me. That pain
is unavoidable. Teach me
how to tell a lie.

...

These poems are instantly recognizable as true.  Poetry true.  Real life true.  Ross has a way of knowing more and saying it in less that is heartbreakingly sweet.  Not sugar sweet -- but Patsy Cline sweet.  Honesty always goes a long way and Ross has that covered.  These poems absolutely beat the crap out of coy.

At this morning's read there were some interesting responses.  Milo liked these poems enough that he read a second one out loud.  Our new intern Kathryn read three.  Now the two of them are sitting in the corner handing it back and forth.

Dear Diary
           June 10, 1995

Linoleum, his mom's kitchen,
she was grocery shopping.

He didn't know what to do
so I lay down and showed him.

Afterward, his knees turned pink.

When his mom came home,
she made us macaroni.

...

Elizabeth Ross's poems burn right through any hip dark cynicism to get at the real DNA of her own heart.  No melancholy here, but vivid reporting from the perilous journey.  Ross has been held to the flame and these well-tempered poems are first rate steel.

Kingdom is one of those books that Today's book of poetry connected with immediately, on a visceral level.  One minute I'm an old man in my book-lined room and the next minute I am a teenage woman with serious decisions to make.  Imagine my surprise.  Ross transports.

Gin

Juniper branches
in my mouth, a constellation
of twigs, berries, planets

revolving on their helix,
a thrilling science
lesson. But this is

far from kids' stuff,
no bicycle powering a light bulb.
It's DNA

twisting in me.
My father's mother: lipstick, stockings, ice
cracking in our lonely room. Glass

muddled with fingerprints
and mouth marks,
everyone I love

asleep in their beds. Self-
reproach is slippery; a woman
I've never known is easiest to grasp.

I sip some more.

I separate a little.

I hold onto what I can.

...

Kingdom feels a bit like the house where I used to live it is so familiar.  How could that be?  Good poems don't care who you are they are only concerned with who you are willing to be.  Elizabeth Ross has written a book that I like so much I'm just not certain how to tell you.

Ross will have more for us, of that I'm certain.  And Today's book of poetry can't wait.

Elizabeth Ross

ABOUT THE AUTHOR
Liz is the author of Kingdom (Palimpsest 2015). Her work has been published in a number of literary magazines and selected for inclusion in Best Canadian Poetry 2013, as well as longlisted for the CBC poetry prize. She’s from Vancouver Island and Vancouver, where she was poetry editor of PRISM international; she now lives in Toronto, where she’s currently at work on a series of personal essays and a book of poetry.

BLURBS
“In the lush, vivid poems of Elizabeth Ross’s Kingdom, an agile, engaged and astute mind offers the names for much of the kingdom of the heart. Ross carries us through the dangers and ecstasies of girlhood, with its boundaries and breaches, and into the openings and enclosures of the adult world with its “sound of something bigger.” Kingdom is the startlingly accomplished, brilliant debut collection of an important new voice in Canadian poetry.” 
     - Rhea Tregebov

“…Elizabeth Ross’s poems seem, to me, to inhabit a transition zone. They are often situated in ordinary domestic moments, but it’s as if there’s a little swinging door inside them and the reader finds herself stepping first to one side, then another as the poet switches views. Liz, herself, is rooted in this stance—a trustworthy observer of the goings on, a witness to the troublesome aspects of the ultimately impenetrable nature of the symbolical, and the potential razor-thin splinter of ice within the commonplace…” -Marilyn Bowering


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

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Sunday, September 28, 2014

Canoodlers - Andrea Bennett (Nightwood Editions)

Today's book of poetry:
Canoodlers.  Andrea Bennett. Nightwood Editions.  Gibsons, B.C.  2014.


Canoodlers really is a charming book of poetry.  Andrea Bennett has debuted with a collection that is both entirely whimsical and completely down to earth.

And what a consistent read.  Poem after poem like target practice for an ace shot.  Bang.  Bang.
Bang.  Once Bennet sets them up - they fall like dominoes.

There's a story

and it happens when I am twelve. There's the back seat of a car, where
my best friend Jane is sitting -- I can see her in the rearview. Outside
it's a zoo, according to my mum. Rolling through downtown Ham-
ilton, she says, Some of these people truly belong in cages. She points
out the driver's side window, flicker her fingers at a woman walking,
Wouldja look at that, she says, and so I look -- crunchy blonde hair,
crop top, too-short cut-offs.

Then I say one of those things that emerges from your mouth like a
just-born giraffe learning to walk immediately on whatever legs it's
got. It's just a hop and skip, I say to my mum, between you and her.

In the rearview, a hyena. To my left, a lioness stalking, deciding if
now is the time to pounce. That's the thing, I say to myself. The thing
about cages. I get it now.

...

It's not that Bennett is harsh, but she leaves very little meat on the bone when she focuses her considerable talents on a hungry idea.  These poems are scalpel sharp.

Andrea Bennett's Canoodlers is so much fun to read it is easy to forget how serious Bennet is.  Or, better yet, the reader is lulled into tender anticipation before Bennett slides in the culling knife.

If I had a beak,

we'd have a neighbourhood. A roost, a rookery in the east; in the
     west, this block, these streets, curbs, runways of crab or turf.

If I had feathers, I wouldn't need a haircut. If I had feathers, I'd bathe
     in the unseeded dust.

If the water got low, I'd have a rock pile. If I had a beak, I wouldn't
     need hands.

If I had a gullet, I'd grind that.

If I had a worm, its meat would be plush as sausage. If I had a
     problem, I'd pluck its eyes out.

If you had a wire, it'd be my perch. If you had a tree, it'd be my perch.
     A porch? An eave? A roof, a parking sign, a storage pod. Mine.

If you took this house, I'd join you. If the people got too comfortable,
     we'd dive-bomb their skylights. If they got a dog, we'd land on
     its back.

If you were a crow, I'd be a crow too. And then, when we got
     together, it'd be murder.

...

Bennett has a great sense of humour throughout Canoodlers but it is never at the expense of the reader.  This is considered work without an ounce of presumption.

Of course I like all the books I write about here at Today's book of poetry, but rarely like all the poems.  This books comes as close as any to hitting that rare grand-slam.

Christmas

happens when a solitary child builds a snow fort in his front yard. At
first there is excitement. All of the snow from the yard can be mobil-
ized without guilt. The months ahead are pack ice, firn, promises; no
one thinks about grass.

Christmas gets built closest to the street, where everyone can see and
be seen, whether they are walking a dog or parking a car or lighting
a menorah. After building Christmas, though, the child must crawl
inside of it.

Doubts are like graves, out of sight in a snow fort. The child might
remember an urban legend: a boy hiding in leaves on his own lawn,
unseen, found unwittingly by his father's lawnmower.

...

Canoodlers is a book filled with joyous menace and I enjoyed it as much as ANY other book of poetry I've read this year.  Pretty much a consensus around the office.  Andrea Bennett arrives on the Canadian poetry scene fully formed and with great promise.

Watch for Canooders when the awards lists start to be announced.

It will be there somewhere.

Andrea Bennett

ABOUT THE AUTHOR
Andrea Bennet's writing has appeared in several literary journals and magazines across North America; her poetry has been anthologized in books from McGraw-Hill Ryerson and Ooligan Press. In 2012, she received a National Magazine Awards honourable mention in the Politics and Public Interest category. She is a contributing editor at Geist, and a former editor at Adbusters, This magazine and PRISM international. Originally from Hamilton, andrea now lives in Vancouver with her partner, Will. She is a graduate of the University of British Columbia’s MFA program in Creative Writing.

BLURBS
ca'noodlers n  Oodles of ooze and flesh-smack, the nonstop smooching of juicy words, a Google-map-worthy gaggle of wannabe-lovers, wannabe-unfriends (everywhere on the girlfriend-boyfriend spectrum disorder!). From the "House of What Repute" to "Frank O'Hara's family secrets," andrea bennett's delectable poems "reach out and touch glistening lips, bellies full to bursting."
     Sylvia Legris

Canoodlers is an astonishing accomplishment not so much for a debut book but for any book. bennett's voice, her quality of mind, are extraordinary -- completely individual, hugely resonant. These shoot-from-the-hip poems carry an absolute authenticity and honesty. bennett is able to address human emotion in a language and a manner that is steady, entirely level, considered and frank. Nobody else does this. She has, in this book, created a new place for the expression of emotion, one that is entirely credible. A thrilling new voice in poetry.
     Rhea Tregebov

andrea bennett's Canoodlers is a charmer of a debut collection. There is an impressive authenticity and clarity of voice in these poems. They are chock-full of shrewd interrogations of the cultural, familial and societal. bennett often focuses on the small moment and through shrewd and strange acts of language, she discloses secret widsom. These poems are kisses, caresses.
     Jon Paul Fiorentino

www.nightwoodeditons.com

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