Showing posts with label jason heroux. Show all posts
Showing posts with label jason heroux. Show all posts

Tuesday, March 14, 2017

Hard Work Cheering Up Sad Machines - Jason Heroux (A Stuart Ross Book/Mansfield Press)

Today's book of poetry:
Hard Work Cheering Up Sad Machines.  Jason Heroux.  A Stuart Ross Book.  Mansfield Press.  Toronto, Ontario.  2016.


Today's book of poetry might just as well say it and get it out of the way.  Jason Heroux has become one of our favourite poets.  It's not like we didn't warn you.  

Back in September of 2013 Today's book of poetry took a look at Jason Heroux's chapbook In Defense of the Attacked Center Pawn (Puddles of Sky Press, 2013) and thought it was brilliant stuff and ripe with promise.  You can see that blog here:


Since then we've read Emergency Hallelujah (Mansfield Press, 2008) and had it scheduled for a blog, the only reason you're not reading about that now is that Hard Work Cheering Up Sad Machines came through the door and we simply couldn't resist.

Heroux's latest volume of poetry is a seriously strong statement of intent.  Heroux has discovered a shady planet of surreal shadows where he writes from some dark corner to illuminate everything we know. And boy, oh boy!, does he hammer out some choice humour along the way.

Hard Work Cheering Up Sad Machines

It's easy to breathe if you're breathing
breathe all you want the air is too cold
             and weak to run away
your life is a gift with your name on it
a word there's no word for
breathe all you want it's easy to breathe
             if you're breathing
the air is an all-you-can-breathe buffet
it's hard work cheering up sad machines
hard work cleaning a number's cage
our heartbeats are staggered staples
             holding us together
birds sing like kettles boiling song-water
your life is a gift with your name on it
and your life is a word there's no word for
breath all you want breathe all you want

...

Today's book of poetry could be easily convinced that the poet Jason Heroux is channelling the spirit and voice of the great American novelist, short story writer and cultural guru Kurt Vonnegut Jr. Heroux has a similarly morbid comic stranglehold on reality.

The dilemma for Today's book of poetry is that when it came to picking actual poems for today's blog I was stumped.  Hard Work Cheering Up Sad Machines is so ripe with lovely fruit that picking which little piece of wonder to share was beyond me so we resorted to the Odin resolution.  Whenever we are blocked we write down the page numbers of every poem we wish to consider, post them on a wall and then have Odin throw darts.  The poems we are using today were the first three he hit out of the dozens on offer.

Heroux's epigraph at the beginning of Hard Work Cheering Up Sad Machines is from the French author and anarchist Pierre Antin-Grenier (1947-2014).  Antin-Grenier was experimental and a loosely connected member of the "extrême contemporain" - a notion in continuous movement.

          It's in the hollow of the
          ordinary that the marvelous
          most often makes its nest
                                       -- Pierre Autin-Grenier

Today's book of poetry is convinced Heroux has lived up to the challenge; Hard Work Cheering Up Sad Machines rolls over the mundane and ordinary to punch out marvelous poetry from every unknowable landscape he encounters.

Yield

Our yield is now, this moment
is what will eventually
become of us, our only harvest
is the one we're gathering.
Water is drawn by the one
with the well. Whoever has lungs
will breathe in and out. The one
with the horse will ride into town.
Everything is nothing but horns
honking at death, and numbers
attacking numbers, apricot
jam stuck on the table knife.
Everything is nothing but almonds
divided by almonds, and grass blades
savouring our shadow's champagne,
a car without wheels crawling through mud.
Why does everyone seek refuge elsewhere?
Whoever has the orange will peel the skin.
Whoever has a thread will feed the needle.
The one with enough footsteps will walk to the store.
Our only harvest is the one we're gathering, this moment
is what will eventually become of us, our yield is now.

...

The first part of Hard Work Cheering Up Sad Machines is made up of shorter, one or two page poems.  Later on in the collection Heroux spreads out a little and writes some longer poems and poem sequences.  This all works.

Our morning read was a Heroux buffet.  We read from Hard Work Cheering Up Sad Machines of course, but we also opened up Emergency Hallelujah and In Defense of the Attacked Center Pawn. Milo, our head tech, led the charge this morning which should leave him in a good mood.  His new task is to now track down and procure the other thirteen titles Heroux has listed.

Today's book of poetry is certain that in the years ahead having Jason Heroux on your shelf will help to prove your smarts.

Blue Yodel of the Broken

What more do I want how many
more feathers would make me happy
on a bird how much extra egg yolk
do I need in an eggshell.
Our death chirps like a cricket
in the quietest corner of the dollar.
Bees are kept where two bones meet
a body develops in the body
where fruit trees are grown
the cows are kept
in the same name as the place
where the hay is kept.
Our death jumps into us the way
the moon leaps into a lake to cool off
swimming in the water that isn't there.
What more of a handshake
can you hold in your hand
how much of this fork
do you need to eat dinner.
The blown-out candle
is kept where the wish is kept.
How much more walnut meat
in the walnut shell would it take
to make us feel safe in the world.
I believe in the barbecue cover
that covers the barbecue I believe
in the same name as the place
where the bird is kept
the cage is kept.
How much more
piggy bank can
the piggy bank hold.
Wherever you are
you are a little rain
that never rained you are
a little hurt that never hurt anything.
Sometimes in the bank I touch
someone else's money and wake up

...

If you read Today's book of poetry more than once you'll realize I am praising a new book of poetry almost every other day.  I fear it could all just begin to sound like rain.  But the truth is that for every book of poetry Today's book of poetry posts there are three or four that don't make it.  I DO like every book that makes it onto the blog.  If the blog sometimes lacks a completely fresh veneer or the vocabulary to do these books justice it is entirely on Today's book of poetry.

Books like Jason Heroux's Hard Work Cheering Up Sad Machines are the reason this blog exists, I try to serve up gems every time out but this one is a highly polished jewel.


Jason Heroux

ABOUT THE AUTHOR
Jason Heroux is the author of three previous books of poetry—Memoirs of an Alias, Emergency Hallelujah, and Natural Capital, which was shortlisted for the 2013 ReLit award—and two novels. His work has been published widely in chapbook form and in journals, and has been translated into several languages. Jason lives in Kingston, Ontario.

BLURBS
“Jason Heroux continues to develop his bold style through the delightful fusion of otherwise jarring images.”
     —Jonathan Ball, Winnipeg Free Press
Natural Capital is a helluva good read. I inhaled its 47 poems in one long breath—they left me excited and wondering exactly what it is that makes them so captivating.… Great book. I’d give it several major prizes all at once.”
     —Rod Pederson,  Arc
“Jason Heroux’s skill as an image-maker recalls Tomas Tranströmer.… In an ideal world, Heroux’s poems would be doled out monthly, one at a time. They would be slotted into the mailbox, or handed to us by some peculiar stranger on the sidewalk.”
     —Nick Thran,  Event
“At its heart, Heroux’s gift—however existential or surreally humanistic—lies in the transformation of ways of seeing the world, of analyzing it and of language. The poems themselves, in their unique ways of seeing, are humbling at the same time they are refreshing.”
     —Cynthia Reeser, Prick of the Spindle

Jason Heroux
Video:  Jason Heroux


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.




Saturday, February 4, 2017

The last white house at the end of the row of white houses - Michael E. Casteels (Invisible Publishing)

Today's book of poetry:
The last white house at the end of the row of white houses.  Michael E. Casteels.  Invisible Publishing.  Halifax & Picton, Nova Scotia.  2016.

cover-TLWH

Today's book of poetry went back to the stacks today to see what we could find on Michael E. Casteels.  Turns out we had more than we remembered, less than we want.  Casteels has published more than a dozen chapbooks and we were only able to turn up three of them.  The Robot Dreams (Puddles of Sky Press, 2013), solar-powered light bulb and the lake's achy tooth (Apt 9 Press, 2015)
and check engine. rhinoceros. tungsten (Puddles of Sky Press, 2015).

Today's book of poetry has written about both The Robot Dreams and check engine. rhinoceros. tungsten. and you can check those out here:


It was easy to like those chapbooks but now, with considerable glee, we present the last white house at the end of the row of white houses and Today's book of poetry couldn't be happier to see Casteels with a trade collection.  And this one is a corker.

Casteels seems to have a mastery of a certain kind of romantic ennui, these poems are loving but gently sad.

Universe Composed Of Mostly Nothing,
New Study Indicates

Suddenly we're weightless,
columns of light
slice through us
and a gentle breeze
blows us further apart.
For a while we drift,
waving farewell to our hands,
whispering goodbye
with lips already distant
to ear that were barely even here.

...

We were pretty happy here in the Today's book of poetry offices when Casteels book arrived, it's great to see him get the opportunity to let the ya-ya's out, to canter, skip, sprint and cavort.  The last white house at the end of the row of white houses gives Casteels a platform to spread his considerable wings.  And we loved the title of this book, a big old juicy long-assed title.

Casteels mixes clinical detail of the day to day with an imagined reality that lives just beneath our skin and just beyond our grasp.  The result is a strangely familiar poetic that can be both consternating and comforting depending on whether Casteels is slamming on the brakes or hammering down on the gas.

The Map

Somebody dropped a map on the sidewalk downtown
and no one stopped to pick it up. Now it's dark, the
streets are empty, and the map is alone. It shivers as the
fingers of a heavy breeze grab the edge of a page and
start pulling. The map spreads out in all directions. It
crawls over fire hydrants and parked cars, mailboxes,
phone booths. It climbs up lampposts and stop signs. It
smothers building and bridges. The map unfolds until
it blankets the entire city at a ration of one-to-one.

The next morning, no one is late for work. Their keys
are right where they left them. No one misplaces a wallet
or searches for a missing sock. The lost dog arrives at
the front door and barks to be let in. No one stops to
ask for directions. No one honks a horn or slams on
their brakes. Everything inhabits its own space and
everything feels right at home. But the map, now one
with its city, longs for a pocket to nestle in. It wants to be
folded and pressed against another map, a map of some
foreign city whose streets are beautifully unknown.

...

Today's book of poetry was impressed with the straight out punching power in The last white house at the end of the row of white houses.  Casteels is a Sugar Ray Leonard poet.  These poems come at you from every direction but the power behind the punch is always right on target.

Milo, our head tech, took over our morning read today, he's been a Casteels fan ever since The Robot Dreams got stuck in his noggin.  Milo said that he found Casteels poems "twist like real life, tease like dreams."  We liked that.

The Red Light

I'm already late and speeding,
praying the light doesn't change.
It does and I stop.
I tap my fingers against the wheel,
twist dials on the dash. In the rear-view mirror
I examine the spaces between my teeth.
The light hasn't changed.
I rummage through the glovebox,
remembering the spearmint gum.
I count spare change in the ashtray.
Minutes pass. I consult the
owner's manual. I read it
cover to cover and still
the light remains. At sundown
I begin to worry. I take only
short sips from my water bottle.
I flick the high beams off and on,
signalling in Morse code. It's getting late.
Radio hosts abandon the airwaves.
I watch the moon drift overhead.

Night after night
the moon wanes
until crescent, and then
into nothing. I've been
counting the days on my 
fingers and toes. Seasons
shift and skew. I engage the
wipers when it rains, crank the
defrost when it snows.
On humid summer evenings
I roll down the window
and let me arm dangle.
A faint breeze stirs my thought
and I wonder about Goldie.

Is she swimming in circles
or just floating in the archway
of that tiny plastic castle? I hope the water
is fresh, that her bowl is clean, I hope she wants
for nothing. And sitting here, bathed in the glow
of this godforsaken light, I wonder
if she'd even remember me.

...

Obviously we here at Today's book of poetry are big admirers of Michael E. Casteels, his third appearance on our page puts him in the rarefied atmosphere of our repeat customers, our favourites. The last white house at the end of the row of white houses will present Casteels to a much wider audience and we here at Today's book of poetry know they are in for a treat.

Image result for michael e. casteels photo
Michael E. Casteels

ABOUT THE AUTHOR

Michael e. Casteels is the author of over a dozen chapbooks of poetry. In 2012, he was nominated for The Premier’s Awards for Excellence in the Arts, an emerging artist award. He lives in Kingston, where he runs Puddles of Sky Press.

BLURBS
“Have you seen Michael e. Casteel’s first full-length book of poems? It’s here, in front of your face. It begins with a wolf at the door and ends by waving farewell to our hands. Inside you’ll find everything you need: robots, a possum’s sneeze, and coffins filled with jelly donuts. The Last White House at the End of the Row of White Houses is one of the most exciting debuts to appear in Canadian poetry. Brilliant, strange, beautiful and encouraging, Casteel’s poetry is a repair kit for the human spirit.”
      — Jason Heroux, Hard Work Cheering Up Sad Machines

“Worlds of invention, humour, insight and the energy that is language. Michael e. Casteels’s first full-length collection is rich with empathy for robots and the sea, and the brilliant, delicate, outrageous leaps the mind makes when given words and our lives.”
     — Gary Barwin, Moon Baboon Canoe

Michael E. Casteels
"Particles"
video: Small Books, Big Country

invisiblepublishing.com

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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.