Showing posts with label lesbian. Show all posts
Showing posts with label lesbian. Show all posts

Sunday, December 11, 2016

What Can I Ask - New and Selected Poems 1975 - 2014 - Elana Dykewomon (A Midsummer Night's Press & Sinister Wisdom)

Today's book of poetry:
What Can I Ask - New and Selected Poems 1975 - 2014.   Elana Dykewomon.  A Midsummer Night's Press & Sinister Wisdom.  Sapphic Classics 96.  New York, New York.  2015.


The Jewish lesbian-feminist activist poet with the extraordinary name of Elana Dykewomon brings a myriad of irons to the fire, isms, movements, belief systems and survivalist strategies.  They are all welcome.  Today's book of poetry is here to champion Dykewomon's persuasions with all the respect we can  -- but it is only because we like the poems that we are here.

Intelligent passion is always a good way to go and Elana Dykewomon is all over that.  These poems are a rebuke to a culture that has yet to embrace women as equals in every way.  Today's book of poetry read What Can I Ask with reasonable diligence and we can say that Dykewomon never asks for anything, she's long past that, the women in these poems are making demands, living with strident purpose, 

my mother used to have that dream

We were standing in her kitchen
the kitchen of the womon who
had been my lover
I was trying to leave
She didn't want me to go
I didn't want to go 
but I could see no other
way to be
She could not move toward me
she was crying
she said it wasn't that she
didn't want to, she didn't know
what stopped her
my need wasn't strange or
unreasonable to her still
she could not respond to me
unless we were having this scene
she said she dreamed she could not
move,     she opened her mouth
and no words came out
I said
my mother used to have that dream
she was standing on a beach
watching her children drowning
swept away on the surf
and she couldn't move to save them
she opened her mouth, like you
but she could not scream

I am my mother's daughter
I am out beyond the breakers
in dangerous water
the womon on the beach
sees me go down
tangled in kelp, exhausted
or a huge wave
catches me in its break
I see her standing there
fixed       unable to swim toward me
unable to make a sound,
neither cry for help nor encouragement

I have been lost at sea
to many womyn in just this way
including my mother
one minute they are thinking
everything is well with us
and the next
I'm a ghost

What they never see is how I
surface on the other side
of the wave
paddling slowly
for another coast

...

Remember that Today's book of poetry has no agenda other than poetry and frankly we tread with some trepidation when venturing into Dykewomon world.  Elana Dykewomon is writing for an audience of women/womyn and doing so without apology.  

Today's book of poetry wants to be clear that when we see the big hearted, big loving, big eating, big thinking poems Dykewomon has hammered out over the years we are filled with admiration.  But how does a sixty year old straight man, a product of a patriarchal culture and of Protestant/Catholic heritage and culture write glowingly about a Jewish lesbian activist and her poetry?

I went outside a few minutes ago to take a break and have a smoke.  I always have a celebratory smoke between finishing writing the blog and actually typing it out to post.  I write the blog by hand, usually on lined paper folded in half lengthwise.  It is very cold here in Ottawa this morning, -11 C. So, I'm outside for my smoke and our newest staff member Odin was with me.  He doesn't say much most of the time and he wasn't saying anything this morning.  But Today's book of poetry remembered that Odin, more than anyone TBOP has ever known, greets every single person he meets with the same gracious and open welcome and we remembered that is why we love him, that excellent example.

The lesson here, Today's book of poetry doesn't want to try and mansplain Elana Dykewomon or her very powerful What Can I Ask.  But we certainly encourage you readers to enjoy it.

We change each other

I am a womon of opaque windows
set at oblique angles
a face in each one
covered in nylon stocking or gray crepe.
You know
this image.
I close the shutters of my body
one by one
-- let no light in this house
and don't poke around in my vagina either.
You refuse to take it
seriously.
Suddenly I turn a corner
in the twenty-fourth corridor
where all the windows are made
of polished black amber
and the sills are volcanic ash.
There you are
you've brought your bright red pillow
you've got your feet up against the window
and have hung your god dam plants.
Doesn't that look nice?
No    I say   get out
I may love you in meadows
but this is queer palace
no room for two.
Effortlessly you unhinge the locked blinds.
There that's better these vines need sun.
Come on now -- we have to live where we can.
I start to weep
and you pull me to your breasts
with tough hands

...

Elana Dykewomon is writing for womyn but I doubt she she'll mind that there are men who admire her poetry.  

Our morning read was an all women affair today.  Kathryn, our Jr. Editor, thought it only right and proper that these poems be read by women so she brought in two friends.  Sally and Jody were a hoot and good readers to boot.  They were also wearing two pairs of cowgirl boots between them, one from each pair on both of their feet.

A fool for love

It's harder now, to organize,
than in my 20s.  Then
when I said I wanted to do it for lesbians
if there was a question
the question was
why do it for lesbians, who are they?
I was sure of my answer
of my love and pride
my pride in love

But now I fear
when I say I want us
who so clearly need each other
to speak every phrase of that need --
I want journeys with womyn
I can depend on, who can depend on me

I fear
the answer will be:
o that old thing

And no one wants to be a fool for love

Redwoods gutted by fire and ax
still grow
Where one redwood is destroyed
a ring of young trees sprout
redwoods have shallow roots
they need these circles
where root holds fast with root

after everything that's happened
because of everything that's happened
I want to imagine a world
in which we thrive
where difference engages us
and root hold fast with roots

...

Today's book of poetry thought Elana Dykewomon's What Can I Ask - New and Selected Poems 1971 - 2014 was properly incendiary.  This book brims with brave and honest poetry.

Image result for elana dykewomon photo
Elana Dykewomon

ABOUT THE AUTHOR
Elana Dykewomon is a Jewish lesbian activist, award-winning author, editor, and professor. Her first novel, Riverfinger Woman, published in 1974, was selected for The Publishing Triangle’s list of 100 best lesbian and gay novels. Best known for her Lammy winning historical novel, Beyond the Pale, Dykewomon was also awarded the 2009 James Duggins Outstanding Mid-Career Novelist’s Prize. She was the editor of Sinister Wisdom from 1987 to 1994 and currently lives in Oakland, California.

BLURB
Elana Dykewomon’s poems are reminders not to take anything for granted: to listen to the messages embedded in others' silences, to look beneath the rubble of violence, and to value the pleasures of intimate loving. Presenting the poetry written over the past four decades, What Can I Ask is wise, passionate, and inspirational. I so value this work and always keep it close to my heart.”
     --Irena Klepfisz, Author of A Few Words in the Mother Tongue 

Here is a video of Elana Dykewomon in Belgrade, the video is courtesy of Konsultacije zaLEZBEJKE


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.

Wednesday, September 14, 2016

Handmade Love - Julie R. Enszer (A Midsummer Night's Press)

Today's book of poetry:
Handmade Love.  Julie R. Enszer.  Body Language 05.  A Midsummer Night's Press.  New York, New York.  2010.

HANDMADE_cubiertasOK.indd

Julie R. Enszer's erotic poetry turns up the temperature of the room while gender politics clash against the day to day struggle of being human, straight, gay, lesbian, bisexual or transgender - which could make for a muddled dialectic but unlike this opening sentence Enszer doesn't get bogged down or falter.  

These poems are lightning flashes of sultry love.

Morning Pant

I know what women want to eat in the morning.
On Sunday, in college, I would cook eggs,
scrambled or fried, potatoes, and bacon--
pork then was still a subversion. Breakfast

for my best friend and the man she slept with last night.
I knew what women wanted to eat in the morning.
Alone on Saturday, I found ways to feed them on Sunday: eggs,
scrambled or fried, potatoes, and bacon.

The prospect of seducing a woman seemed simple, but
my best friend seduced the man she slept with last night
leaving my bed empty, my hands idle, my lips
alone on Saturday, until I found ways to feed them on Sunday.

Sauces can satisfy the need to break from the mundane.
The prospect of seducing a woman seems simple:
wine, marinara arrabiata, raspberry coulis. Delicious dinner still
left my bed empty, my hands idle, my lips

dry. I could only imagine the shimmer of gloss
sauce. Satisfy the need to break from the mundane
on my lips: a wax or paraffin base. Vaseline in a pinch.
Franzia, tomato sauce, berry puree -- a delicious dinner still,

but I imagined more -- a peak that would not leave my pussy
dry. I could imagine only the shimmer of gloss
from a woman's juices on my chin after licking and licking
her lips. No wax or paraffin. (Third) base; Vaseline; a pinch.

Then I met a woman one Sunday, in college.
Finally I had more -- a peak that left my pussy
weary but satisfied. After rest she begged for more:
I know what women want to eat in the morning.

...

Enszer is so matter of fact clear at every turn that we never get left behind, we follow her as she bids, along a clever trail of anger and lust and discovery.  As new as some of this is for the reader it seems Enszer is making some discoveries along the way as well.  Love and desire both get big workouts in Handmade Love and joy gets in there too.

Enszer makes no apologies for her feminist agenda (nor should she) which is clearly, eloquently and humorously laid bare with panache.

Absolutely No Car Repairs
In The Parking Lot

Three people are working on old, American cars.
One man with a white van -- his mobile mechanic's shop --
has pulled the engine out of a black Monte Carlo.
Another crawls from under a Sunbird
rusted and battered tail pipe in hand.
The third, an Escort, hood open, unattended.
Owners ostensibly inside the auto supply
searching for the proper replacement part.

Although I didn't need one, I've brought a man.
Newly minted. Nine months ago, breasts removed --
scars from the surgical drains healed quickly
now the only skin rupture from needles
delivering daily hormones he refers to as T,
and the resulting faux-adolescent acne pimpling his face.
He's more of a man than me. Still, it takes us two tries
with a return in between to find wiper blades that fit.

...

Now that all of the Today's book of poetry staff are back from holiday adventures we were all crackling with excitement at this morning's read.  Handmade Love made for a heated and spicy reading.  The consensus around the room was that Julie R. Enszer is an eloquently fearless poet and there are never enough of those to go around.

These poems are a genuine celebration of love and diversity.  These celebrations of love and diversity make for good poems.  The day to day of supposedly alternative lifestyles and cultures does not sound unfamiliar in Enszer's capable hands - and why should it?  People love and lust pretty much the same regardless of their performative gender.  And that's the truth Ruth.

Terms of Endearment

I mistakenly called you "missy"--
an inappropriate term of endearment for
a butch lesbian, the identity I assumed

you to have with your cropped hair, hip-riding
jeans and top buttoned down. Let me confess:
I assumed your identity for my own purposes.

I have an entire fantasy about your body and
what I could do with it based on your being
lesbian and butch. Then I learned you consider

yourself to be male -- transgendered.
Yes, "missie" seems inappropriate.
Yet without diminutive feminizations

I am left with few options to coo affection.
Immediately, I'd like to say "FTM trannie" and cast
upon you my feminine wiles, but can I?

I try Buddy? Pal? You chide me not to stoop to
Bubba. I won't. Still, all the phrases I think to utter
with cloying appreciation are wildly sexual--

How's it hanging? If I, an avowed fem lesbo,
flirt with you, now a man but still in a woman's body
(and, of course, with a woman lover),

Am I still gay? Or just queer? And if I don't
stoop, linguistically, that is,
but I would like to be on my knees and

have you fuck me from behind with a
big purple strap on like my wife does,
am I a homo? I just want to find

a word to address you and imbue it with affection.
I want to respect your gender identity and not reconsider
my own sexual orientation and erotic predilections.

That is probably too much to ask, which is why
my pussy is wet, my tongue is tied, and only my mind
has been fucked. Understand gender? Good luck.

...

Today's book of poetry believes that poetry this good blows right past simple discussions of sexual orientation stereotypes. This is a celebration for Enszer and a primer for the rest of us, one that opens up the door to every audience.

Handmade Love is strong and primal poetry, ultimately generous and humane.  With a side of hot sauce.

Julie R. Enszer

ABOUT THE AUTHOR
Julie R. Enszer, PhD, is the author of Handmade Love (A Midsummer Night’s Press, 2010). LambdaLiterary.org praisedHandmade Love noting, “Anyone who’s loved Dorothy Allison’s early chapbook of poetry, The Women Who Hate Me, will recognize the same brash confidence and articulation in Julie Enszer’s work.” Rigoberto Gonzalez said, “This poet is fierce, politicized and not afraid to point to the flaws even within her communities,” and Richard Labonte said of Enszer, “With seductive clarity, she celebrates sexuality – her own, that of other women, and of men.”

Enszer is editor of Milk & Honey: A Celebration of Jewish Lesbian Poetry (A Midsummer Night’s Press, 2011). Hila Ratzabi said of Milk & Honey, “This collection packs a punch…. This anthology is endlessly valuable as a collective voice of celebration and even protest.” Milk & Honey features beloved poets like Ellen Bass, Robin Becker, Elana Dykewomon, Marilyn Hacker, Eleanor Lerman, Joan Nestle, LeslĂ©a Newman and Ellen Orleans, as well as new and emerging voices.

With language and imagery that moves from the sensual and political to the tender and serene, Milk & Honey , a finalist for the Lambda Literary Award in Lesbian Poetry, explores the vibrant, complicated, exhilarating experience of being Jewish and lesbian—or queer—in the world today.

Enszer’s second full-length collection of poetry is Sisterhood (Sibling Rivalry Press, 2013).

Enszer, who holds an MFA and a PhD from the University of Maryland, is currently a Visiting Assistant Professor in the Department of Women’s Studies at the University of Maryland. She is writing a history of lesbian-feminist presses from 1969 until 2000. Her public scholarship on lesbian poetry has been featured by the Poetry Foundation, the Poetry Society of America, Ms. Magazine, and The Huffington Post.

Enszer is the editor of Sinister Wisdom, a multicultural lesbian literary and art journal, and a regular book reviewer for the Lambda Book Report and Calyx. You can read more of her work at www.JulieREnszer.com.

Julie R. Enszer
"Beginnings", "Bed", "Dishes"
Video: Center Arts


502

DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.