Showing posts with label linda pyke. Show all posts
Showing posts with label linda pyke. Show all posts

Saturday, February 2, 2019

Feel Happier In Nine Seconds - Linda Besner (Coach House Books)

Today's book of poetry:
Feel Happier In Nine Seconds.  Linda Besner.  Coach House Books.  Toronto, Ontario.  2017.


Today's book of poetry feels, with no disrespect intended, that Linda Besner's Feel Happier In Nine Seconds reads like a future television sit-com that we are all going to love.  These poems whip by at a punchline per second pace.  And make no mistake, Besner is as funny as she is clever, she is also juxtapositionally jolly.

But it is not all fun and games in Feel Happier In Nine Seconds world.  Linda Besner isn't above putting a dramatic ending in the proceedings to make a point.  Besner has one of those elastic imaginations, a time-shifting ESP at her sonic fingertips and, as if that's not enough, these poems are outrageously entertaining.

Panting Under Ripped Parasol's Lacy Enclosure

In an elopement no one noticed,
              I fled the public lecture with my lover's
                              espadrilles. It was the pinnacle of the tulip season,

me hardly bulletproof but for the periwinkle
              in my buttonhole, my roll of crepe paper,
                             and the rupee bundle under my petticoat.

My chevalier lay with his picnic basket
              and pince-nez, sumptuously crumpling
                            the Riesling label.

'Don't parade on my rain,' he begged.
              But I've been propelled to unreason
                             like a spectral helicopter.

I'd rather be  LARPing. My utopia?
               A luau before yuletide ships
                             rammed the island. Before

puritanical undertakers in period drapery
               unclasped their popsicle rods
                             to dripple into the Pacific.

Though I sculpt my emancipation
              from a rockface trimmed with pelicans, I know
                             I'll long forever for my lover's lotioned elbows.

đŸ’«đŸ’«đŸ’«

This here is superior word play, mastery of a sort, Linda Besner is clearly two-hundred and thirty-two years wise inside of her disguise.  This is mature writing, perhaps Besner has been reincarnated?  If that's the case I'll pro-offer a scenario:  Besner is part Emily Dickinson, part Dorothy Parker, part Anne Sexton and with a modicum of my personal heroine, the under-rated and mostly unknown Linda Pyke, thrown in.  A better writer than Today's book of poetry wouldn't have to resort to comparisons to accurately report on Feel Happier In Nine Seconds with precision and flair.

There's no denying that sometimes reading Besner it feels as though she is playing with the rest of us mere mortals, patient, while laying out easy to follow tracks to her light speed wit and world view.  Besner even has a few bawdy, nee romantic frissons.

Midway through Feel Happier In Nine Seconds there is a psychedelic monologue of epic proportion, it is colour coded and almost certainly candy coated.  It's a bit like the first ride you ever took on a motorcycle without a helmet.  

Linda Besner will entertain you, guaranteed.

First Kiss

The famous nonconformist
whose camper van I left
my pants in says I'm a rube
who's never seen the inside
of an apple seed.

That I'm a shade
overruffling the lamp
he can see is turned
on. Imagine my surprise
when, stepping outside,

I ran bang into his parents'
cows. Bessie, does it hurt
when common trilliums
graze your personhood?
Your infinity sign of flies

reties my shoelace lows.
I raise a stranger's trace
to clear the nimbus
of snot from your mouth.

đŸ’«đŸ’«đŸ’«

Our office reading was splendid today.  We did finally hear from the newly wed Milo, our new silent partner, and Kathryn his bride, our former intern turned Jr. Editor, who will be returning from their pilgrimage/honeymoon in San Francisco and City Lights Bookstore.  Today's book of poetry was present at their lovely nuptials before they slipped away.  They chose to go small and quiet and asked that Today's book of poetry respect their wishes and not give anything away.  Done.

The rest of the Today's book of poetry staff wishes they all the best and will, of course, fete them properly upon their poetic return.

Linda Besner's Feel Happier In Nine Seconds was like chum to piranhas for the morning read.  We just made the office air churn with these wildly playful poems.

Vacuum Meets Harmonica

in a motel bed nostril to nostril
where panflute madrigals play
on golem bones, a numbing verve
squeals the SOS of unmoored clarinets,
ushers yellow leaves to hollow logs,
haunts a house with sixteen doors,
neighbours of ascending heights
borrowing hairdryers, borrowing ice,
and fans the scarves of spin doctors;
sunken foghorns cue the skirmishing
vapour of exhumed gladiators,
their helmets crested with spinning
weather vanes, a mummer's dirty
squall-nozzle flutters the blinds
while dervishes sweep the carpet
of its mackerel sky, then speed
to scatter a passing gale of mary's hail,
concuss the hockey team, and pull
through regal cyclone the heaviest
tractor, a humbling valve
that whirls off modesty,
two raging female ends,
that glorious moment when

đŸ’«đŸ’«đŸ’«

Today's book of poetry is no genius for telling you that Linda Besner has a certain grasp of her own genius, certainly a hand firmly on the ring.  Feel Happier In Nine Seconds is proper solid.  Besner can burn any recipe she wants.

Today's book of poetry is already setting the table in wait for her next adventure.  We are sure it is going to spectacular.

Image result for linda besner photo

Linda Besner

ABOUT THE AUTHOR
Linda Besner is the author of The Id Kid, published in 2011 by Véhicule Press and named one of the National Post’s Best Poetry Books of the Year. Her poetry and journalism have appeared in numerous magazines.

BLURBS
Brave art, raw not cooked, a pure pleasure to experience.’ 
     – Globe and Mail

‘Besner's imagination doesn't appear to have an upper or outer limit – Reading her poems is a bad trip and a transformational experience.’ 
     – Ken Babstock
‘Besner is one of the funniest poets writing in this country.’     – National Post



Linda Besner
Poets reading their own poems.
"Moonlight on Komatzu Extractor."
Video courtesy: Howpedestrian


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.




Tuesday, August 9, 2016

Slow States of Collapse - Ashley-Elizabeth Best (A Misfit Book/ECW Press)

Today's book of poetry:
Slow States of Collapse.  Ashley-Elizabeth Best.  A Misfit Book.  ECW Press.  Toronto, Ontario.  2016.

Slow States of Collapse by Ashley-Elizabeth Best, ECW Press

Ashley-Elizabeth Best's Slow States of Collapse is the least apologetic and beautifully maniacal book of poems Today's book of poetry has encountered in some time.  Best kind of reminds us, briefly, of a young Judith Fitzgerald's brave Victory (Coach House Press, 1985) and even, momentarily, of Linda Pyke's Prisoner (MacMillan, 1978).  Both of these were revelations, brimming with new kinds of daring.  But Best has upped that game.  Slow States of Collapse is stunningly good almost all of the time.  Every once in a while it is great.

I'd Like to Be the Subject
of Your Neck Tattoo

I spent three years
translating his smile,
abandoned words moulding
the silence after our fights.

I thought about him more
in French than I did English,
and even my prized bilingual
tongue could not word his feelings.

A tattoo rounded his throat, curved
behind the soft flesh of his ear --
the faded blue skin read, Betty.
I've known Betty for three years,

have never heard him mention her.
Something too tender to touch.
In the night, I stare her down.

...

Best's poems wrestle with some dark angels and once in a while a demon shows up to play.  Best's poems call these demons out and puts faces on their guilt.  Best doesn't seem to be frightened by a single thing.

There is a throbbing sensuality at work in Slow States of Collapse, a genuine swoon when called for but this isn't Penthouse Letters or Red Shoe Diaries.  The carnage the collision of love leaves behind in Best's poems is real.  This is where "all we can give is a gift of blood on stone."

Best gave Today's book of poetry a hard time.  Our recipe of a three poem meal just doesn't seem enough on certain days and today is one of them.  It is a hard pill leaving some poems behind.  This was one of those days when during the morning read we put things to a vote.  During the vote, Kathryn, our Jr. Editor, siddled up beside me like the sweet and considerate associate I've known for a couple of years and playfully/then not so playfully at all whispered into my ear that I was to use her list of three Best poems or Kathryn would "cut" me.  "Quick,  No one would even see!"  Then she smiled like a young Audrey Hepburn and scampered back to her desk with her best wistful grin.

Growing Up

Loving Daddy was like inviting
wasps to nest under your skin.

I grew up believing in the rough
cascade of a watermarked horizon,
never to trust in praise,
to remember how much of our lives
are rounded with sleep,
to thrash the moment from its bone.

...

No one is coming to save anyone in Slow States of Collapse, that's pretty clear.  But in case you were still wondering Ashley-Elizabeth Best puts any rumours to bed.  Today's book of poetry simply loved this hard charging, take no prisoners, bridge no bullshit, go down swinging marvel of a book.

There is so much heart at work in these poems Today's book of poetry was momentarily concerned for Best.  Then we realized that hearts like these are virtually infinite and possibly indestructible, even if they are burning a bit around the edges.

How to Recognize a Wolf in the Forest

I was just thinking
maybe I have too much time.

I lounge the skirts of a dance floor,
admire articulated spines, bodies
mournful enthusiasm, beats
that thud and fall, yaps of whalesong,
arms porpoising above
the overcrowded dance floor.

I want to build a skeleton of their
stories, grief heaped on the bones
of a schoolgirl's map, dancers
with a painted past.

Some poor girl's man is throwin' leg
with a young brunette. She's pinned
to the wall, her skin dog-eared
and foxed like a well-read book.

No matter how hard I drink or dance,
nothing here ever feels good.

The guy I find myself under later
is sexy in a coked-out kind of way,
body modifications tasteful and
numerous, metal shine roadmapping
his known history.

The need for it has grown.

In my life, I've been loved more than I know.

...

Oh Canada!  To have so many fine wonders.  Ashley-Elizabeth Best is the best discovery Today's book of poetry has made since maple-sugar met bacon on a water chestnut.

Ashley-Elizabeth Best

ABOUT THE AUTHOR
Ashley-Elizabeth Best is from Cobourg, Ontario. Her work has appeared in Fjords,CV2, Berfrois, Grist, and Ambit Magazine, among other publications. Recently, she was shortlisted for the Robert Kroetsch Award for Innovative Poetry. She lives and writes in Kingston, Ontario.

BLURBS
An impressive debut by an important new voice in Canadian poetry.  Ashley-Elizabeth Best's poems are sharp, and smart, and moving.  Slow States of Collapse is a collection to savour.
     - Helen Humphreys

The words of Ashley-Elizabeth Best send shocks of pleasure into the reader's brain and heart.  The poems in this debut collection remind me of Susan Musgrave's early work.  There's the same daring, sexiness, and lyricism.  Without a doubt, she's a new writer to celebrate and watch.
     - Lorna Crozier

Ashley's poetry "riddles the river with dark-wet / pocks of gold light"; she illuminates the terrain of everything we see and yet couldn't before name.  Her poetry is liquid and warm, a golden gift.
    - Sarah Yi-Mei Tsiang, author of Status Update


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.