Showing posts with label malahat review. Show all posts
Showing posts with label malahat review. Show all posts

Monday, December 15, 2014

House Dreams - Deanna Young (Brick Books)

Today's book of poetry:
House Dreams.  Deanna Young.  Brick Books.  London, Ontario.  2014.


I had one of those dreams last night.  One where you are catapulted into some strange version of your universe, some strange episode that resembles your past.  Populated by the unexpected, everyone suspended in agelessness even though you feel your own age in your bones.

One of those dreams where you wake just before the truly horrible happens.

Deanna Young knows everything there is to know about dreaming, or at the least, these poems would have you believe that.

Visions

Rare, like the births of children into a small family.
In one I am here in the armchair at Barachois,

my back to the window and the sea beyond that,
when a tall young man--a boy, really--appears

in the doorway. Here to help me with my luggage,
though it's not clear if I'm arriving or leaving. It's either

you before we met, or our young son years from now.
There's a sadness in him, which makes me think you

because I've heard how sullen you were in your teens.
Cruelly, I hope it's you--parents want their children

to be always happy. The hallway dim, it's nearing
the end of the day. His winter jacket is unzipped

as if spring is coming. Nothing else happens. But this
is typical of visions, often no more than a boy,

a suitcase, and a certain quality of light. A friend
told me once how it works. It's the current under

you're meant to feel. The flash of heat on your face
just enough to scare you. They're snapshots of possibility,

like gentle warnings from a relative who loves you.

...

House Dreams is presented to us in five titled sections.  "Barachois" is the section where Deanna Young gives us her warm and frightening dreams.  None of them mine--but all of them familiar.

"Barachois is a term used in Atlantic Canada and Saint Pierre and Miquelon to describe a coastal lagoon separated from the ocean by a sand or shingle bar.  Salt water may enter the barachois during high tide"  -  Wikipedia

These dream poems are separate from the oceans of our lives, separate but not totally removed, separate but attached by currents we don't understand, tinged with the salt water of our daily lives.

Survivante

Falling through the dark house alone, dark
province alone, no friend or relative near,
when a phone rings

sharply in the other room, not
the phone beside my ear.
That's not right. There's only one line.

Now the sound of a child running
toward me down the hall, the rolling drum
of hardwood

when I know the floor here
to be ceramic tile. Caught by the gills, in a net
between worlds, I struggle,

decide, I'm not that stupid.
A scream, I know, would wake me,
but the contract between brain, body, will, it's severed.
He's cut the wire again. The desire
to give in is sweet, strength needed

to grip the edge not in me. All I have
might not be enough this time, I`m thinking,
when here, now, like a siren,

the indignant self.
I make my move, the wrestler`s last explosive flip,
and heave myself into the fact

of the midnight room.
No phone rang, I say out loud. No child
needs me right now.

...

When the poems about dreams end the poetry stays strong.  Iron strong.  Certain strong.

Deanna Young chisels her poems into stone, they are permanently etched--on the page, and in your mind.

These plainspoken poems tell the story of a woman`s life and make it a familiar.  When you finish this book you feel you`d recognize Young by aura alone.

Miss Deanna

Carmen, my daily reminder to be my better self, endlessly sweeping
dirt from the white-tiled floor into tidy piles. Where on Earth
does it come from? I ax myself dis ev-er-y day, Miss Deanna.

She won't sit down, rarely sits the three years we invite, prod, beg,
then finally just leave her alone. Old school. That last month, she came
within one word of quitting. Over the phone. I couldn't find a bowl

so called her at home one evening. She knew where everything was
and what was behind it. Not to accuse her of stealing. But she'd been
through this before, and nothing I said after would undo the disgrace,

convince her to stay. Until, my refusal to replace her. I will not bring
another woman into this house. I'll clean it myself, I bluffed. And
anyway, what would I tell the children? Throwing them down like aces.

...

Today's book of poetry appreciates humour and Deanna Young gives us a taste of that as well.

These poems are ones you'll want to read again.  Maybe even dream about.

Deanna Young

ABOUT THE AUTHOR
Deanna Young is the author of two previous books of poems, The Still Before a Storm and Drunkard’s Path. Her work has appeared in journals across Canada, including The Malahat Review and Arc Poetry Magazine. Originally from southwestern Ontario, she now lives in Ottawa.

BLURB
"So often in Deanna Young's poems, what begins as a gentle game of the lyric imagination shifts mid-sentence into nightmare. Her lines can be beautiful, but her eye for fallibility (both human and material) is the book's real trick. It will be re-read compulsively by its admirers."
     --Jacob McArthur Mooney


Deanna Young read from House Dreams (Brick Books)


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Saturday, December 13, 2014

Invasive Species - Claire Caldwell (A Buckrider Book/Wolsak & Wynn)

Today's book of poetry:
Invasive Species.  Claire Caldwell.  A Buckrider Book/Wolsak & Wynn.  Hamilton, Ontario.  2014.


Invasive Species by Claire Caldwell ends with a long poem, "Osteogenesis", which won the Malahat Review's 2013 Long Poem Competition.  Osteogenesis is a noun meaning "the formation of bone",

The poems is a spectacular mental movie about how whales can explode, the speed of a carcass as it sinks to the ocean floor, a trip to a Portuguese grocery store and the specifics of an adult skull.

Odd, if you say so, but almost musical with wit.  Caldwell plays with our imagination like a puppet-master, or a cat with a mouse.

This is careful, precise poetry that rolls on the page as if it were being riffed on the spot, live and mercurial.

Here is Caldwell's take on bears:

from:  Bear Safety

Bears could be anywhere

On the subway at rush hour.
Between couch cushions.
In the drawer with dull pencils
and batteries and nothing
you need. In the eavestrough.
On a soccer field
during a lightning storm.
In the pocket of your dirty jeans,
your unlaced sneakers.
Run a hand under the sheets
before bedtime. Bears prefer to sleep
on Egyptian cotton.
They can usually tell if it's cheap.

...

"Bear Safety" strolls onward for several more small poems.  Each as lovely and lively as the last.

Every poem in this marvelous collection got a response out of my tired-assed psyche.

Caldwell is an articulate carny, drawing you nearer to the game and never giving away a thing.

Natalie Olsen designed this book and we here at Today's book of poetry want to doff our hats in her direction.  The very clever cover is more than amusing, it is almost perfect.

from:  Invasive Species

Once, we built towns on water park economies.
Slides reared up like dinosaurs, pale plastic beasts
engineered to outlast our kids.

Landlocked, it was still possible
to scorn the jellyfish, fringed curtains
drawn across distant coasts

...

Claire Caldwell's first book of poems promises great things.

Passed this around the office and asked "who does this remind you of?"  The answers were quick and varied, "Sue Goyette", screamed a typist, "Julie Bruck", moaned an intern, I chimed in with "Stuart Ross".  The best answer was "no one -- I haven't read anything like this!"

Just Give Me One Thing

AFTER JOHN PRINE


Above the alley, we'd strung our laundry up
like prayer flags. I watched as the wind
nudged your jean shorts and my orange
halter. You fussed with a can of tuna.

It had been a good month. Sandal weather,
and no one asked about your missing toe.
We never burned our English muffins.
We traded spots at the counter,
the sink, rarely touching.

Still, the flies gathered. Bluebottles
slurring circles around the trash can.
I set vinegar traps and dreamt of buzzing.
You remembered your father, the smell
of him, how you couldn't eat for weeks.

"It's something we all have to face eventually,"
you said, as I bent to tie up the garbage,
Maggots sprayed across the kitchen like champagne.

...

Caldwell surprised me like Cassius Clay/Muhammed Ali surprised the sad Sonny Listen.

Knocked him out.

Claire Caldwell
(Photo by Stephen Spence Davis)

ABOUT THE AUTHOR
Claire Caldwell is a poet and editor living in Toronto. She was the 2013 winner of the Malahat Review's Long Poem Prize, and her work has appeared in many magazines and journals, including Maisonneuve and Prism International. Claire holds an M.F.A. in Creative Writing from the University of Guelph.

BLURBS
“Hamilton publisher Wolsak & Wynn has a knack for finding great new poetic voices and Claire Caldwell is an excellent addition to their prestigious list….Claire’s vibrant, witty collection has been anticipated for some time, and with good cause.”
     Grace O'Connell

"Claire Caldwell's poems are like sleeper cells parked in the fraught organism that is middle-class North America.  From its unvarnished assessment of the cost of Timothy Treadwell's hubris to its measured empathy for the largest mammals on the planet, Invasive Species confronts the reader with a thoughtful, vivid assault on the senses.  For Caldwell the lure of the natural -- and the fascination of the civilized -- is coloured by an awareness that we are simultaneously part of, and apart from, the living things around us.  This is a carefully worked, entirely welcome debut from a precociously wise new voice."
     Kevin Connolly, author of Drift and Revolver

Claire Caldwell read from Invasive Species


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