Showing posts with label cassidy mcfadzean. Show all posts
Showing posts with label cassidy mcfadzean. Show all posts

Tuesday, March 19, 2019

Drolleries — Cassidy McFadzean (McClelland & Stewart)

Today's book of poetry:
Drolleries.  Cassidy McFadzean.  McClelland & Stewart.  Toronto, Ontario. 2019.

Drolleries by Cassidy McFadzean

Today's book of poetry had the pleasure of reading Cassidy McFadzean's first collection, Hacker Packer (McClelland & Stewart, 2015), so we were ready for this, but not quite.  We're pretty certain that writing like this isn't something new for McFadzean but it is exciting and new for us.

This voice hits above and below the belt.  With crisp jabs and hooks you never see coming.  Drolleries muses fantastic on slivers and witch hazel, pine needles and shower mould, the last El Greco and the real Madrid.  

It doesn't really matter what Cassidy McFadzean is writing about, it is how.  Everything she touches becomes immediately fascinating because the reader has early confidence that McFadzean is going to put on curve on the outcome worth watching.

Mood

Witch hazel in my pussy.
Rose water on the brain.
Let's not go down memory lane,
but memory locker, feelings stored away.

I keep my garbage in the freezer
just like the city taught me.
I know it's love, when during sex
my new lover wipes my ass for me.

Zip up your feelings, Will advised
looking over the Brooklyn Bridge.
I watch a man zip his pet rat
into his jacket on the subway.

Have I ruined another group chat?
Have I repressed a painful memory?
I say goodbye with vocal fry
so I can feel it in my body.

πŸ“–πŸ“–πŸ“–

It will take much better read people than Today's book of poetry can afford to hire to understand all of McFadzean's references to Anna Karenina, Nastagio degli Onesti, the air Homer breathed or what a Zora bag is.  But it doesn't matter, Today's book of poetry was enthralled, invested, excited and fulfilled by what McFadzean was cooking.

Our offices are a little empty these days as family commitments have reduced our ranks.  Today's book of poetry is sending all the appropriate prayers.  Family is everything.  But those of us here are riding with McFadzean.

It is somewhat like being in a fast car inside a fascinating museum, and all of that in a dream.  Take that.  Drolleries surprised and genuinely delights every time you turn a page.  Cassidy McFadzean is so clever smart it is inspiring.  Today's book of poetry will show this poetry to everyone, say "here, read this!"

Fortune

Previews for movies we've already seen comfort
like digging for a stone I know by feel,
engraved with my fortune, hand-picked.

In the night, ice cracks in the AC, waking us.
I turn the dial and hear women yelling
in the street, then a car turning into the alley.

In morning fatigue, my vision settles
on the veins of a woman bagging our groceries
at Bulk Barn. A bulging star, she brandishes

something other-worldly implanted in her.
We want to be stranger than what we are.
I pay what we owe and enter the idling car.

πŸ“–πŸ“–πŸ“–

Today's reading at the Today's book of poetry offices was late, interrupted, hurried and ultimately not worthy of Cassidy McFadzean's fine Drolleries.  We will take another crack at it tomorrow morning.  By then we should have a few more oars in the water and be getting up to speed.

Today's book of poetry continues to consider some changes in our format.  We would be most appreciative and curious to hear what you, our readers, would like to see more of, less of, or something new altogether?

You regular readers know how much Today's book of poetry loves a list poem.  Here.

Last Walk

Tired of wandering the same prairie
roads outside the city, tired of parking
on the same patch of flattened grass
beside the trail marker. Tired of climbing
over the barbed wire, tired of waiting
for trucks to pass before crossing the dirt
highway. Tired of brushing ticks off
the fabric of tucked socks, plucking not-yet
swollen abdomens. Tired of descending
into the branches. Tired of finding a way.
Tired of feeling limbs snap back as I follow
you toward a path, tired of reading the map.
Tired of squishing purple berries between
index finger and thumb, tired of feeling
numb. Tired of swatting flies, tired of saying
I'm thirsty, asking for a drink of water
from the bottle that you carry. Tired of deciding
how much farther to go. Tired of taking
the same tired photo, tired of rusted tractors
parked in a more or less straight line,
tired of being tied to the grid superimposed
on the terrain, tired of crouching beside
a hole in the ground waiting for a glimpse
of something alive before turning away.

πŸ“–πŸ“–πŸ“–

A list poem of a sort.  This one was a real smasher.

Books like Drolleries don't come along that often in poetry world.  As clever, intelligent and informed as McFadzean obviously is, these poems never intimidate, even this shaky reader.  McFadzean carries a big stick, but softly.

All hands on deck gave Drolleries the Today's book of poetry office standing ovation.  First class marks.  Today's book of poetry thought these confessions and celebrations merited wine in the kitchen.

Photo of Cassidy McFadzean
Photo:  Sarah Bodri

Cassidy McFadzean

ABOUT THE AUTHOR
CASSIDY McFADZEAN was born in Regina, Saskatchewan, and earned an MFA from the Iowa Writers’ Workshop. In 2015, she published Hacker Packer, which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award. Her poems have appeared in magazines across Canada and the U.S., including BOAAT, Prelude, The Fiddlehead, PRISM international, and Arc, and have been finalists for the CBC Literary Awards, The Walrus Poetry Prize, and the Canadian Authors Association’s Emerging Writer Award. Her work has been anthologized in The Best Canadian Poetry 2016, The New Wascana Anthology, and In Fine Form 2. She lives in Toronto.

BLURBS
“McFadzean’s debut collection is a finely layered exploration of language and archetype rooted in mythology, history, intimate reflections, and more external ghosts. It is all unearthed in deliciously adroit wordplay and exploration of form, capped off in two perfect, mirrored closing notes–one long, one short–that leave the tongue still thirsty, tasting peaty, tilled earth. A most satisfying and accomplished collection.” 
      —Publishers Weekly

“The poems in Hacker Packer cross imaginative boundaries between human and animal, intimate strangers and mythical beasts, and traverse a self-scrutinizing frontier between pathos and mordant irony. McFadzean is as anxiously comfortable with the idiom of Justin Bieber as she is with that of bardic Old English, and maps her way across a densely laid path of sound and forms. Her work is a dazzling and sometimes threatening guidebook to an interior landscape of ‘no sure footing we found we stood on.'” 
     —Mark Levine, author of The Wilds


Cassidy McFadzean
Reads from Hacker Packer
Video: The Leader-Post


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.
We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration

Wednesday, June 1, 2016

All The Gold Hurts My Mouth - Katherine Leyton (Icehouse Poetry/Goose Lane Editions)

Today's book of poetry:
All The Gold Hurts My Mouth.  Katherine Leyton.  Icehouse Poetry.  Goose Lane Editions.  Fredericton, New Brunswick.  2016.


Today's book of poetry figures Katherine Leyton must have been getting more than a tan at Al Purdy's old Ameliasburgh home.  These poems are rockets.  As the first resident of the Writer-in-Residence program at the Al & Eurithe Purdy A-Frame, in the summer of 2014, Leyton must have been swatting mosquitoes and quiet summer illusions with equal fervor.

Old Al would have been thrilled to death to know that someone was putting his digs to good use.  I met him once or twice and am certain he would have heartily endorsed these poems.  

Richard Gere's Grand Piano

Here. This is it:
you're a waitress.
You bring people French toast

and bacon. You can't pay the Hydro bill.
I used to think of you as somebody

grand, like one of those pianos Edward
fucked Vivian on in Pretty Woman.

Maybe you are.

Maybe your greatest talent
is gleaming in empty foyers.

...

Leyton has a monster sense of humour and we certainly appreciate that around here, funny is good. The best kind of funny is true, Leyton nails that no problem.  But funny is just the tasting menu, something to get your blood running for the real meal.  Leyton's All The Gold Hurts My Mouth has a level of sexual tension boiling over the pages that is both erotic and political.  

Leyton seems to be sussing out the transitory nature of power and where it is rooted.  She tackles the big three:  LOVE  SEX  DEATH.

Al Purdy would approve, let us remember his own Sex & Death (McClelland and Stewart Limited, 1973).  Al knew then that there is nothing new under the sun and Leyton knows it now but it is the dance that sustains us and Katherine Leyton knows how to kick up the heels.

Small City

When I lived there I roamed shopping malls
on lunch break. They advertised Katy Perry

was coming. I sat in Starbucks obsessing.
The university kids couldn't tell

but the men on their computers could.
I puppeted my arms for them, my mouth.

One followed me home through a snowstorm.
A snowstorm won't stop me!

It was a declaration of psychopathy, like my moving
was a declaration of psychopathy. And that word

declaration, an icicle glinting in the infrequent sun,
on one of those days I felt we were living

in a farmhouse,
dinner fresh from the oven,

snow a violence spun for us,
like fate was a thing we would die doing.

...

Kathryn, our new Jr. Editor, said that she had a new heroine when she walked into this morning's reading.  That sent Milo, our senior tech, in a curious spin, had him sitting in the corner for the rest of the morning pouring over All The Gold Hurts My Mouth as though it were the Rosetta Stone.

The reading itself was great, Kathryn took the reins and held the floor.  There were no objections.

There is a small army of excellent young Canadian poets publishing at present, Katherine Leyton steps up onto the same inspiring mantel as those like Eva H.D., Kayla Czaga and Suzannah Showler. These ladies are tearing it up.

Today's book of poetry does not fear for the future of Canadian poetry.

Witness

I see this lady going door-to-door
with an armful of pamphlets.
I'd like to be that sure of anything.

At a funeral
my mother took me aside,
"I believe when I die I'm going up there."
She pointed to the stucco ceiling of the funeral home,
her other hand clutching a dry brownie
wrapped in a white doily.

"And all the people I love..."
she said it pleading-like, self-mocking,
too intelligent for God, like the rest of us.
As if I wouldn't want her to have that.

I want her to have that.
I sat next to a bouquet
on the car ride home,
its sick-sweet smell
like the thinning perms

that bobbed in the sparse pews.
I didn't know what to do
when they bowed their heads.
I kept my eyes on the bald minister,
who looked like 80's Florida,
and while everyone around me broke
down, I was on a plane to Miami.

...

Today's book of poetry won't be the only reader waiting on Katherine Leyton's second book.


Katherine Leyton

ABOUT THE AUTHOR

Katherine Leyton was the inaugural Writer-in-Residence at the Al & Eurithe Purdy A-Frame in the summer of 2014. Her poetry and non-fiction have appeared in numerous publications, including the Malahat Review, Hazlitt,the Globe and Mail, and the Edinburgh Review. She is also the founder of the highly unorthodox video poetry blog, HowPedestrian.ca. A native of Toronto, Leyton has lived in Rome, Montreal, Edinburgh, and Forlì.

BLURBS
"In this fierce debut, Leyton explores women as palaces and grand pianos, gleaming objects admired and shattered. Through her lyrically exuberent voice, whirring with musicality and subversive jabs, art becomes a looking glass. Just as 'women hum to drown their hunger,' these poems bring the salve of self-creation to their reader."
      - Cassidy McFadzean, author of Hacker Packer

"Leyton's voice is both enigmatic and unabashed, delving into the mysteries of selfhood while offering a vivid meditation on what it means to be a woman alive today. A fearless, urgent, and beautifully wrought debut."
     - Kerry-Lee Powell, author of Inheritance

Katherine Leyton
"Avertisements"
Video: Howpedestrian


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.