Showing posts with label suzannah showler. Show all posts
Showing posts with label suzannah showler. Show all posts

Wednesday, July 18, 2018

Sick and I — Katie Fewster-Yan (Desert Pet Press)

Today's book of poetry:
Sick and I.  Katie Fewster-Yan.  Desert Pets Press.  Toronto, Ontario.  2017.

SUMMER by Stevie Howel

Katie Fewster-Yan's Sick and I is some slick stuff.  Fewster-Yan has more happening in one poem than many poets have happen in a book.  Sick and I reads like some hyper-stream-of-consciousness, from a very richly textured and well-informed stream.

Today's book of poetry is scrambling for the right deferential phrasing because Katie Fewster-Yan brings a great game right out of the gate.  Not since reading Suzannah Showler's Sucks To Be You - and other true taunts (Odourless Press, 2013) has Today's book of poetry been quite so impressed by a chapbook.  Make no mistake, you will see more of Katie Fewster-Yan.

Medicate

On Tuesday, you extract the capsules
from the second compartment,
bend back its cap like a flap
on an advent calendar.
From the fridge, you'll draw
the same waning cheese block,
remove the last two slices
from the bread loaf that has let itself go
without protest. Empty, its bag
bloats like a ghoul, counter-beached.
The triumphant bread clip
by its side holds its arms raised
like an amnesiac wrestler lost
in the glory of its last remembered
match. What is to be done with them,
as with your days, is up to you.

Of what use is the gravy boat,
or the milk carafe decalled
with jubilant cows? Cold utensils,
packed like factory-bred animals
spoon belly up in drawers, sparkling
at the underside of the counter
while each morning rises
like a mouthless child.
How instinctively we decide
how long to chew before we swallow!
As if we were made to. As if each day
were scrupulously portioned,
wrapped like a tiny prize, counting up
or down to what you longed for.

πŸ’«πŸ’«πŸ’«

Fewster-Yan literally took our breath away with her poem "A Moment on the Lips."  These poems come at the reader with velocity, no passive speculation, Fewster is on target and fierce.  And funny.

Sick and I is a slim volume but once you've read it you'll start to feel its weight.  Today's book of poetry has read through it several times and now the damned thing is so heavy we can barely lift it.

Ha.

Today's book of poetry has one of the best jobs in the world on days like this, when I get to share poetry this fine.  It's all part of larger scheme of world domination by Today's book of poetry and our staff.  "First we take Manhattan..."

Today's book of poetry is convinced Sick and I will be a calling-card to much bigger things.  Katie Fewster-Yan is ready.

A Moment on the Lips

My boyfriend holds me by my ex-lover's
genitals. The waistband of my leggings
makes my mother's nipples itch.
When I kissed its insides, curious,
the freezer split my lip, but I will bury
it with me some day in my grave.
Who needs tattoos? I'm hip-swathed
with chip packets and gum wrappers,
evangelical pamphlets and sandwich
coupons. The liver spots that dotted
my late grandfather's IV-pierced hand
ink my midriff like a galaxy. On the subway,
the ladies I'm crammed next to look
less impressed than they should be,
dipping their hips in the Pacific I once
kissed so you might taste the sound
of whales when I returned. When I dance,
a skirt of plankton swirls around me
in a balm millennia sediment-packed
to keep my lips slick. Thanks to history,
to my best decisions cinched around me
like a child's leash. Thank you grandma
for that eight-shaped, candy-studded cake
with all those gilded chocolate dollars
on the top that I sucked clean. Now I am
spangled and frosted at the waistline.
I'm the nucleus in a probability storm
of all my charged encounters.
Go ahead. Just try to shower me.

πŸ’«πŸ’«πŸ’«

The morning read at the Today's book of poetry offices was splendid.  The weather finally broke here in Ottawa and we have the windows open and the air is fresh and cool and good.  Kathryn, our Jr. Editor, lined us all up and assigned the poems.  Katie Fewster-Yan's poems rolled out and around the office like some splendid music, full of charm, wit and the razor.

Fewster-Yan has the knowledge.  If she were a London Cabbie she'd know it all blind-folded.  Her poems are fierce and fiercely intelligent.

Coming Through

I hold a ring of dried pineapple in one hand,
two thumb tacks in the other. Focus
is a shifty faculty. I drop a spoon
into the trash can and cart a cantaloupe rind
back to the sink. You watch your input
vie for my regard on the multichannel system
my attention's splitting into.
Take your hand and put it on my
volume dial. I want to hold you arrested
and so close to the chest
there's no room for playing cards.
I'm at the edge of a crater
trying to recall what I came here
to pull from it. Someone's hole-punched
the record. You put your car keys
in the freezer, and a shut door
in your memory erases them for weeks.
I'm keeping one eye on you peeling
off your nylons while the other's in the kitchen
shucking peas. You're at your core cleaving
more necks than a hydra. Bring your heads
toward us. I want to hold me in your teeth.

πŸ’«πŸ’«πŸ’«

"I want to hold me in your teeth."  Perfect.  Hilarious.  Dark.

Our morning read over, Milo, our head tech, has the Troggs blaring over our sound system, and now he's followed them up with Nick Cage singing an old Jimi Hendrix song, "Hey Joe."  And now Milo and Kathryn are dancing across the office floor like happy hippies.

Katie Fewster-Yan's Sick and I has left the Today's book of poetry offices in a groovy mood.  Great poetry will do that to you every time.

Image result for katie fewster-yan photo

Katie Fewster-Yan

ABOUT THE AUTHOR
Katie Fewster-Yan is currently living in Newfoundland and Labrador.


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.
We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration



Wednesday, June 1, 2016

All The Gold Hurts My Mouth - Katherine Leyton (Icehouse Poetry/Goose Lane Editions)

Today's book of poetry:
All The Gold Hurts My Mouth.  Katherine Leyton.  Icehouse Poetry.  Goose Lane Editions.  Fredericton, New Brunswick.  2016.


Today's book of poetry figures Katherine Leyton must have been getting more than a tan at Al Purdy's old Ameliasburgh home.  These poems are rockets.  As the first resident of the Writer-in-Residence program at the Al & Eurithe Purdy A-Frame, in the summer of 2014, Leyton must have been swatting mosquitoes and quiet summer illusions with equal fervor.

Old Al would have been thrilled to death to know that someone was putting his digs to good use.  I met him once or twice and am certain he would have heartily endorsed these poems.  

Richard Gere's Grand Piano

Here. This is it:
you're a waitress.
You bring people French toast

and bacon. You can't pay the Hydro bill.
I used to think of you as somebody

grand, like one of those pianos Edward
fucked Vivian on in Pretty Woman.

Maybe you are.

Maybe your greatest talent
is gleaming in empty foyers.

...

Leyton has a monster sense of humour and we certainly appreciate that around here, funny is good. The best kind of funny is true, Leyton nails that no problem.  But funny is just the tasting menu, something to get your blood running for the real meal.  Leyton's All The Gold Hurts My Mouth has a level of sexual tension boiling over the pages that is both erotic and political.  

Leyton seems to be sussing out the transitory nature of power and where it is rooted.  She tackles the big three:  LOVE  SEX  DEATH.

Al Purdy would approve, let us remember his own Sex & Death (McClelland and Stewart Limited, 1973).  Al knew then that there is nothing new under the sun and Leyton knows it now but it is the dance that sustains us and Katherine Leyton knows how to kick up the heels.

Small City

When I lived there I roamed shopping malls
on lunch break. They advertised Katy Perry

was coming. I sat in Starbucks obsessing.
The university kids couldn't tell

but the men on their computers could.
I puppeted my arms for them, my mouth.

One followed me home through a snowstorm.
A snowstorm won't stop me!

It was a declaration of psychopathy, like my moving
was a declaration of psychopathy. And that word

declaration, an icicle glinting in the infrequent sun,
on one of those days I felt we were living

in a farmhouse,
dinner fresh from the oven,

snow a violence spun for us,
like fate was a thing we would die doing.

...

Kathryn, our new Jr. Editor, said that she had a new heroine when she walked into this morning's reading.  That sent Milo, our senior tech, in a curious spin, had him sitting in the corner for the rest of the morning pouring over All The Gold Hurts My Mouth as though it were the Rosetta Stone.

The reading itself was great, Kathryn took the reins and held the floor.  There were no objections.

There is a small army of excellent young Canadian poets publishing at present, Katherine Leyton steps up onto the same inspiring mantel as those like Eva H.D., Kayla Czaga and Suzannah Showler. These ladies are tearing it up.

Today's book of poetry does not fear for the future of Canadian poetry.

Witness

I see this lady going door-to-door
with an armful of pamphlets.
I'd like to be that sure of anything.

At a funeral
my mother took me aside,
"I believe when I die I'm going up there."
She pointed to the stucco ceiling of the funeral home,
her other hand clutching a dry brownie
wrapped in a white doily.

"And all the people I love..."
she said it pleading-like, self-mocking,
too intelligent for God, like the rest of us.
As if I wouldn't want her to have that.

I want her to have that.
I sat next to a bouquet
on the car ride home,
its sick-sweet smell
like the thinning perms

that bobbed in the sparse pews.
I didn't know what to do
when they bowed their heads.
I kept my eyes on the bald minister,
who looked like 80's Florida,
and while everyone around me broke
down, I was on a plane to Miami.

...

Today's book of poetry won't be the only reader waiting on Katherine Leyton's second book.


Katherine Leyton

ABOUT THE AUTHOR

Katherine Leyton was the inaugural Writer-in-Residence at the Al & Eurithe Purdy A-Frame in the summer of 2014. Her poetry and non-fiction have appeared in numerous publications, including the Malahat Review, Hazlitt,the Globe and Mail, and the Edinburgh Review. She is also the founder of the highly unorthodox video poetry blog, HowPedestrian.ca. A native of Toronto, Leyton has lived in Rome, Montreal, Edinburgh, and Forlì.

BLURBS
"In this fierce debut, Leyton explores women as palaces and grand pianos, gleaming objects admired and shattered. Through her lyrically exuberent voice, whirring with musicality and subversive jabs, art becomes a looking glass. Just as 'women hum to drown their hunger,' these poems bring the salve of self-creation to their reader."
      - Cassidy McFadzean, author of Hacker Packer

"Leyton's voice is both enigmatic and unabashed, delving into the mysteries of selfhood while offering a vivid meditation on what it means to be a woman alive today. A fearless, urgent, and beautifully wrought debut."
     - Kerry-Lee Powell, author of Inheritance

Katherine Leyton
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Video: Howpedestrian


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.