Showing posts with label sharon thesen. Show all posts
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Tuesday, January 12, 2016

We Can't Ever Do This Again - Amber McMillan (A Buckrider Book/Wolsak and Wynn)

Today's book of poetry:
We Can't Ever Do This Again.  Amber McMillan.  A Buckrider Book.  Wolsak and Wynn.  Hamilton, Ontario.  2015.

Let's just start with the title.  Today's book of poetry is a big fan of titles and We Can't Ever Do This Again ranks right up there with the King of Titles, Sir Charles of Bukowski.  He rained downed titles like The Days Run Away Like Wild Horses Over The Hills and Play The Piano Drunk Like A Percussion Instrument Until The Fingers Begin To Bleed A Bit.

Amber McMillan cooks things at a very specific temperature.  We Can't Ever Do This Again constantly simmers just below the boiling point.  Nothing is going to burn but it sure is going to cook.

There is a knowing tenderness in McMillan's but there are no soft edges here, these poems cut just as deep as they need.

Bryson, Quebec, 1996

The question of which is worse
is complicated more by the following
things: I know what I saw. Bright
headlights swept the forest corner
where the thick wood met the road.

I saw the man or ghost boy or boyish
girl caught in the sweep, front-lit
for no more than a second, squatting
on a flat belly between pine trees
and brush, the dark pitch of foliage

shadowed and skewed by the beam.
I saw his or her shirt, button-down,
his or her pants, black, and glassy
glasses, then at the ambit, the car
slide around the corner leaving it all

still again, everything exactly as it
had been before the headlights.
A child myself, the choice became
to remain paralyzed on the road
in terror, or to give in to the sharp

quake of adrenalin meant to mobilize
survival, to run as fast as possible up
the steep hill to your house where
you are sure to greet me sidelong,
drunk-shot and gearing for a fight.

It's a non-choice but I made it,
running for what I thought was my life,
and then to you: manic, scribbling
at the dining room table - a letter,
you told me later, to an infuriated

teacher who had a hand in your 
recent termination from the school:
There's no such things as ghosts, dear.
What there are, are crazy people sitting
in the woods in the middle of the night.

...

Amber McMillan is willing to dish out some pretty harsh reality sandwiches in this buffet.  This stuff is slick.

We Can't Ever Do This Again reminds Today's book of poetry just much we like to be astonished.  These poems march right into your heart, move the furniture around.

Our Wedding Day

For Matt

When you forget, I'll remind you. I'll describe something
about the flowers, or the leaves on the trees, I'll tell you
something about the weather, about what that means.
Do you remember now? When you took my face
in your hands, firm where you stood, as soft
as you could (I think you remember now)
you said, "My name means clearer
of the woods." I whispered back --
only you could hear (for the rain
and the thunderclap were near) -- I
said, "My name means the place
between, my name means
the trap."

You remember now. It was a lovely
ceremony. No one we knew
was there.

...

Our newest intern, Kathryn, took over this mornings read.  Not sure her mind was on We Can't Ever Do This Again because she read every line like an accusation and after every line she shot eye-daggers at Milo who was visibly shrinking in the corner.  Kathryn was doing McMillan justice, it was a passionate read - but it was clear there was another agenda in play, another dialogue taking place.  Milo looked like he was sitting on fire-ants.

We Can't Ever Do This Again reminds me of the first time I read St. Sharon of Olds.  Today's book of poetry has all the time in the world for this type of critical hopefulness.  These sort of smarts.

Forward

Did I ever tell you the one about TB?
None of this is unfair nor is it surprising,
but there he is, sheltered from the hard
ruby sun inside the dingy white Red Cross
tent. The first of the many trailing wounded
is a thirty-something woman with TB --
and a nasty set of lesser ailments by
comparison -- being handled up the laneway
toward the tent. She's coughing and it's
hot, and phlegm is collecting and spilling
from her every opening: Do you have TB yet?
He shakes his head no, and with that she
gathers up and spits out her next mess
of human mire, aiming as close to his mouth
and eyes as possible, the nearest and most
efficient passageways to infection.

...

We Can't Ever Do This Again feels a little like a guilty pleasure.  This a monster first book of poems, I'm almost sixty and I'm still waiting to be this wise.

Amber_mcmillan_-_pc_nathaniel_g
Amber McMillan
(photo:  Nathaniel G. Moore)

ABOUT THE AUTHOR
Amber McMillan’s poems have appeared in The Puritan, CV2, Forget Magazine and subTerrain among others. She currently lives on Protection Island, BC. We Can’t Ever Do This Again is her first book.

BLURBS
“Amber McMillan has a keen eye for the luminous and the absurd. Her directness of address and tenderness of outlook make this book a terrific debut.”
     - Sharon Thesen, author of A Pair of Scissors and The Good Bacteria

“It is a rare gift for a poet to successfully recombine the binaries of existence, the nuance of simultaneously feeling joy and grief, love and isolation, hope and cynicism. Rarer still for the poet to achieve this by using her craft as a microscope, its lens keenly focused on details of the everyday. Even rarer, I’d say pseudo-magical, for her to enable me to actually experience these contradictions jeas I read, as though the reading became an act of complicity. Amber McMillan’s poetry is an example of the earned, the hard won, the bruised and bittersweet right to express what might be honestly beautiful about us.”
     - David Seymour, author of Inter Alia and For Display Purposes Only

“It’s the mix of exasperation, outrage and wonder towards living implicit in McMillan’s slyly titled We Can’t Ever Do This Again that has fed that ‘other stream’ – a rich, demotic voice that feels delivered so intimately you can almost feel the breath. Readers of Michael Longley, Kathleen Jamie, Seamus Heaney and Jack Gilbert will find in McMillan that perfectly calibrated balance that allows the reader to fall deep into the poem’s sinkhole of thought and emotion, uncovering the necessary innocence and unknowing so vital to a memorable work.”
     - Jeff Latosik, author of Tiny, Frantic, Stronger and

Amber McMillan
reads "Variant C"
at Hamilton's LitLive Reading Series
video: Wolsak and Wynn


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

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Saturday, April 25, 2015

The Montreal Book Of The Dead - Mary di Michele (Vallum Chapbook Series #17)

Today's book of poetry:
The Montreal Book Of The Dead.  Mary di Michele.  Vallum Chapbook Series #17 - The Vallum Society for Education in Arts & Letters.  Montreal, Quebec.  2014.


The Montreal Book Of The Dead is a sterling little treat from the ever-strong voice of Mary di Michele.  di Michele is just a couple of years older than I am which is to say I have been around since her first book, Tree of August, which was published in 1978.

But it was the 1980 publication of Bread and Chocolate that turned me into a life-long reader and admirer of Mary di Michele.

Nothing has changed here, Today's book of poetry has all sorts of time for anything Mary di Michele writes.

The Unteachable

To be as if never born, Javier Marias
shows the dark back of time to critics, cats
and dogs, pronouncing how little of what
they are will last. Perhaps because I teach

what, I am told, is unteachable,
I want to defend scholars, remind the writer
that even this stone I kick is more assuredly immortal
than Shakespeare. We are all palimpsests

for genomes: writers, critics, and our pets.
Rumi was long-lived for a cat, seventeen years.
And many years have passed along with him,
yet still, raising my eyes from a book of poetry,

not scratched up by his jealous claws,
I might see him, in the periphery
of my vision, the striped gray fur turning
a corner. Disappearing.

Buddy was the first to teach me to love
dogs, to trust them with my hand, my heart
if not my muffins. What did I know?
I wanted a literary dog name, Bolden

from Coming Through Slaughter. Instead I was
given another way of being in the world,
away from the reading lamp, those long
evenings with him, ambling under stars,

walks in any weather. To be as if never
born. This cold Montreal spring, the run-off
iced over again, I am careful as I walk myself
across the park, not stopping to smell anything.

...

These poems are full of tender ghosts.

They are also so approachable that it is easy to miss how well crafted they are.  OK, that wasn't clear at all  --  what I mean is that di Michele knows her stuff.  These are poems that know how to act.

The Montreal Book Of The Dead is a long sighed-out love letter to di Michele's favourite city.  A tempered and loving elegy to the dead who swim in her memory.

Scotopia

Beacon shining from the top of Mount Royal,
a cross, unblinking under Capricorn.

Beaver lake is iced over. The ring
in his pocket stays in his pocket.

In the shadow of the red-tailed hawk, what's left
of a crow is now just tail feathers and wings

splayed out in the arms of a maple. To look
is to look away. Where the earth is flat we forget

we walk on a planet, but, from the view
at the summit, we remember

we are not alone, married and unmarried
alike for the stellar bridegroom,

orbiting above, astronaut or angel,
watches over us from the stratosphere.

In a flash, we see what he sees, the city
below from space: the mystery,

illuminated. This island city! This
island, Earth! Animal or mineral,

we all bow to the darkness,
we all turn in the light.

...

Mary di Michele has a type of quiet elegance in her poetry, this has always been the case.  It isn't easy to write with restraint - in di Michele's poems I would call this wisdom tempered with exactitude.

The Montreal Book Of The Dead is a fine chapbook.  It makes you want more.

Somewhere I Have Never Travelled

I arrived at the Canada-US border.
Flags fluttered though there was no wind.
Mine was the sole vehicle at the crossing.

I pulled up to a booth. Nobody
was there, I got out of my car
to peer behind the wicket: darkness

except for the blinking light of a phone.
I had my Canadian passport ready
declaring my Italian birth. The photo

didn't look like me. It felt strange to be
neither here nor there, neither coming
nor going. I arrived at the US-Canada border,

flags the only things moving.
The sun was low but I cast no shadow.

...

Mary di Michele

ABOUT THE AUTHOR
Poet, novelist, and member of the collaborative writing group, Yoko’s Dogs,Mary di Michele is author of eleven books including a selected poems,Stranger in You, Oxford University Press 1995, and the novel, Tenor of Love, Viking Canada, Simon & Schuster USA 2005. She lives in Montreal where she teaches at Concordia University. Her most recent books are The Flower of Youth, Pier Paolo Pasolini Poems, ECW Press, 2011, and with Yoko’s Dogs,Whisk, Pedlar Press 2013. Awards include first prize, CBC literary competition, the Air Canada Writing Award, and The Malahat Review long poem.

BLURB
“Envisioning the passage of time under the “full and unwaning” moon of Mont Royal’s beacon cross, di Michele recalls her Italian immigrant parents in Toronto and her current life in Montreal. This sequence, a sort of decameron, written with her customary brightness and gracefulness of diction, concludes at a deserted customs office where no one wants to see her passport: the truly borderless place of poetry itself.”
     - Sharon Thesen

Mary di Michele
Discusses tradition and innovation and studying
creative writing at Concordia University in Montreal.
Video courtesy of: Concordia Creative Writing


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.