Showing posts with label sandy shreve. Show all posts
Showing posts with label sandy shreve. Show all posts

Sunday, January 10, 2016

Waiting For The Albatross - Found poems from a deck hand's diary, 1936 - Jack Shreve/Sandy Shreve. (Oolichan Books)

Today's book of poetry:
Waiting For The Albatross - Found poems from a deck hand's diary, 1936.  Jack Shreve/Sandy Shreve.  Oolichan Books.  Fergie, British Columbia, 2015.


Sandy Shreve has produced a remarkable book of poetry by re-imagining her father's diary.  Jack Shreve was a sailor on a freighter in 1936, when he was 21, and he kept a diary of his five month journey from Halifax to Australia and back.

This book is illustrated with photos from Jack Shreve's journey, along with various documents that fill in all the empty spaces in this marvellous  story.

The poems speak a language a daughter invented for her father.  Wondrous.

Waiting for the Albatross: 2

Couldn't see any albatross at all up on the poop
at breakfast time.
When we throw our garbage over the wall

the albatross usually make a mad scramble for it.
They're a funny sight, paddling for dear life
but I couldn't see any albatross at all at noon

today. Then bos'n came dashing in the foscle
hollering, "Look at the geezly big airplane"
long after I threw our garbage over the wall.

We all dashed out the door, then he hollered
"April Fool" and laughed heartily
when we saw an albatross with a wing spread

of at least ten feet. They very seldom move
their wings and when they bank, chasing
after the garbage we toss over the wall, I've seen

the tips slice the water. If a glider could be patterned
after them! And yet, they're so heavy they have to
go like a seaplane to get up. From the poop, I saw one

take off from the crest of a wave. This morning
I went up on the poop to take pictures - 
but couldn't see any albatross at all; not even
at noon when I tossed our garbage over the wall.

...

It is easy to imagine the senior Shreve as a poet on his own, he knows what to look for in the world around him.  These short narratives make history real.

Sandy Shreve has done her father a tremendous honour.  Many men have sailed the ocean but Sandy Shreve has turned her father's voyage into art.

Waiting For The Albatross is an entirely rewarding collection.  Two voices sing with one sound and create a harmony eighty years and tens of thousands of hard miles in the making.

May Day

I wonder what's going on in the world to-day.
The "storm petrels" I saw yesterday lived up to their name
and we're rolling all over the ocean.

We got that damned rice for desert, and stewed prunes
but the officers got apple dumplings and fancy biscuits.
I wonder what's going on in the world to-day.

In the water alongside us, a huge shark was rolling back
and forth and every once in a while turned belly up
as we rolled over the ocean.

Told steward about the maggots we found in our biscuits. "Fresh
meat" as they call it or no, I'd sooner starve than eat that filthy food.
I wonder what's going on in the world to-day.

We've been taking some pretty bad rolls, Got a snap
of the Bon Scot heeled right over and dipping her starboard rails
with her infernal tossing and rolling.

We've taken several seas and lots of spray; I got caught
in one and was washed to the side.
I wonder what's going on in the world to-day
while we're rolling all over the ocean.

...

Today's book of poetry discovered a very soft spot for Sandy Shreve as she navigates through her father's adventures.

At this mornings read Milo drew a big anchor on his forearm before he'd read a word.  (There is something going on in our little office because every time Kathryn looks at Milo she looks lost at sea.)

News

Things look bad in Europe. Hitler re-militarizing
the Rhineland, France rushing reinforcements
to the border. Britain concerned. Italy's conquered
the Ethiopians. Things look bad in Europe.

I suppose we'll get home in time to be conscripted
for service in this war they seem to be hatching,
what with Hitler re-militarizing the Rhineland and 
France reinforcing the border. Things look bad.

...

Waiting For The Albatross is an old black and white movie suddenly colourized and in the best possible way.  Sandy Shreve has canonized her father with Ahab, with Hem's "old man", Lord Nelson and all those other cats who played their stories out on the sea.

These plain-spoken hard-working poems are worth your valuable time.  They are Canadian and they sailed around the world just for you.

Sandy Shreve

Jack Shreve

ABOUT THE AUTHOR

Sandy Shreve has previously published four poetry books, most recently Suddenly, So Much (Exile Editions, 2005), and two chapbooks, Cedar Cottage Suite (Leaf Press, 2010) andLevel Crossing (Alfred Gustav Press, 2012). She co-edited, with Kate Braid, the anthology In Fine Form – The Canadian Book of Form Poetry(Polestar, 2005), edited Working For A Living, a collection of poems and stories by women about their work (Room of One’s Own, 1988) and founded BC’s Poetry in Transit program. Her work is widely anthologized and has won the Earle Birney Prize for Poetry and been short listed for the Milton Acorn People’s Poetry Award and the National Magazine Awards for poetry. Born in Quebec and raised in Sackville, New Brunswick, she now lives on Pender Island, British Columbia. For more information, visit  http://www.sandyshreve.ca

ABOUT THE AUTHOR'S FATHER
Jack Shreve was born in New Brunswick in 1914 and was raised there and in Nova Scotia, until 1930. In 1934, after spending a few years in Toronto, the family returned to the Maritimes, living in St. Stephen, NB. After his trip on the "Canadian Scottish,” Jack received his amateur radio license and remained an avid ham radio operator for the rest of his life. He did his wireless training at Saint John Vocational School and during WW II was a radio operator, first with the Merchant Marine and then, once it was up and running, with the Ferry Command. He worked as a radio technician for the CBC International Service in Sackville, NB from 1952 until his death, at age 50, in 1965.

BLURBS
“Poignant, salty, full of danger, these poems always manage to dock at our hearts. The experience of reading it is a lot, I imagine, like being there.”
     ~ Jane Eaton Hamilton, Author of July Nights

“Like a “geezly big airplane” with a ten-foot wingspan, the book you are holding is no ordinary thing. It’s a book of poetry and also a history. It’s formal and plain-spoken, contemplative and bloody-knuckled. It’s then and it’s now. It’s a father and daughter talking across great distances. The voice in Waiting for the Albatross is two voices at once, and the ocean between them. Eighty years after the words were first written they’ve finally
arrived—from his hands, to hers, to yours. Thank goodness for unordinary things.”
     ~ Rob Taylor, Author of The Other Side of Ourselves

Sandy Shreve
reads her poem "Autumn Pantoum"
Video: Sandy Shreve


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

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Sunday, February 8, 2015

Passing Stranger - Pam Galloway (Inanna Publications and Education, Inc)

Today's book of poetry:
Passing Stranger.  Pam Galloway.  Inanna Publications and Education, Inc.  Toronto, Ontario.  2014.


Sometimes being a man is of no help what so ever.  So I read some of these poems to my much wiser wife.

Her response:  "Excellent poetry."  When K speaks, I listen.

Pam Galloway's Passing Stranger deals with loss and growth, the empty marriage bed that comes with divorce, miscarriages, all that emptiness left behind.

I sit in rooms with women

Ideas flash as fast as the shreds
from the mandoline. Cabbage,
cucumber and carrot
fall with barely a touch, settle
into the centre of the wrap,
permit an enfolding
disturbed only by slow
bits and mmm, delicious --
must have the recipe.

And just as quick: a turn.
The book we're gathered to discuss
pulls the conversation
into the backstreets of the city,
into the life of another woman who tells
how crime was her route to a meal,
another who writes to feel whole.

Ours is the spirit
that knows what it wants
and is unabashedly Woman.
Beautiful and clever,
all-knowing and yes, wise.
We may one day steal to stay alive,
on another, realize
that living is multi-hued
and we manage all its shakes and colours
the way we might throw
a black shawl, casual,
calculated, across a red cowl-neck sweater.

...

This is poetry written in the language of women.  What I mean is that Galloway is unconcerned with what men need to know, she is past that, her concern is with what women need to say.  Her clarion call is no whisper for the faint of heart.

Ectopic

Out of place and disintegrated
into a million pieces, scattering
into eternity like a supernova burnt out,
my anticipation of a birth.

I try to imagine
Fallopian tube:
black tunnel, microscopic shaft buried beneath
the surface, a secret: silent,
but wide enough to guide an egg,
wide enough to grow an embryo.

Not wide enough: a silent bursting and blood
seeps and swills like a slough
filling after a storm, blood like water
finds its place, flows to every cranny,
lies in wait.

No thought
beyond the gloves,
the greens, the masks,
the eyes. A hand
strokes. I pan
the room made ready.

Give myself over,
fall into oblivion
I relinquish memory,
contemplation of what might have been.
Each moment resounds like a pulse,
a heartbeat trapped inside a vacuum.

Morphine is a cozy high, I am warm,
I am safe, I am smiling, I am safe,
I am alive, I am safe, I am not thinking
I am not pregnant.

Days later, home again, my bed cannot hold me
the way I need to be held. I am scared
I will fall from the edge:
no baby; my belly sliced and sewn
for no baby.
I weep for my mother to hold me, for a woman
who will know, to hold me. You tell me
you can hold me.
Do you know?

...

But there is hope and Today's book of poetry is a big fan of hope.

Galloway's sad losses are our conduit to understanding, because through them she allows us to experience something new, she expresses a woman's experience in ways other women will understand and recognize as truth.

Galloway isn't strident or terse or proselytizing from some great podium.  Nothing like that.  This is the clear thinking voice of reason.  If you haven't heard it before - perhaps you weren't listening, we often only hear what we want, I'm convinced my newest intern is deaf.

The wasp and I

Trapped behind a Venetian blind,
the wasp believes freedom lies upward
beyond the window. Its goal:
bright sky and a pine tree beyond.

The wasp makes the ascent, fights through
a waterfall of condensation, diverts
to a zig-zag path across the glass, takes off,
brief sorties in the narrow air between glass
and metal slats. But up is where it wants to be.

Again and again it tries to break free
and then the inevitable fall,
close to the exit path.

But the wasp cannot see. Drawn to the window
and sunlight blazing hope, it will persist.
It will never learn
the glass will not dissolve or fall away
just because it wants it, just because
it beats its head against impossibility.

...

Pam Galloway's Passing Stranger is a world many women will embrace as a familiar, a voice given to a shared understanding.  And for many men a sliver more understanding of the other half of the world, and how they endure.

Pam Galloway

ABOUT THE AUTHOR
Pam Galloway lives, works and writes in Vancouver and has an MFA in Creative Writing from the University of British Columbia. Her poetry and non-fiction have been featured on CBC radio and her poetry has been published in numerous Canadian literary magazines including The Antigonish Review, The New Quarterly, Contemporary Verse 2, Grain, Descant, Dandelion, Event, The New Orphic Review, Room of One’s Own and twice on the website of the Canadian Parliamentary Poet Laureate. Her first book of poetry Parallel Lines was published in 2006.

BLURBS
"Gifted with a lyric and elegiac eye, Galloway marks many of life's key moments--marriage, divorce, pregnancy, miscarriage, childbirth, parenting-- with poems of exquisite tenderness and grace. These poems depict the ache and echo of loss with clarity, honesty and lyric intensity. This moving journey through heart and body bears witness to life's myriad beginnings and endings, anticipations and losses."
—Fiona Lam

“In Passing Stranger Pam Galloway combines direct language, striking imagery and beautifully rendered metaphors to take us inside a woman’s experiences with infertility, motherhood and marriage breakdown. The title poem and the sequence “Ways of knowing” are just two of several poignant pieces that peel back the veils around the pain of multiple miscarriages. Equally powerful, however, are celebratory poems like the gorgeous “Arrival”, about her daughter’s birth. Galloway is an accomplished free verse poet who is equally successful when she decides to write in forms, as in her exquisite palindrome “Remembering. Autumn.” and her delightful, “Three echoes of love”, a two-column poem that can be read three different ways. This book pulls no punches when it comes to diving into grief – but Galloway does not leave us stranded there; instead, she takes us through losses and into hope..."
--Sandy Shreve


Pam Galloway

Federation of BC Writers Drive
Featuring Pam Galloway - Feb. 11, 2012
video by planetjanetcreations


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.