Showing posts with label sharon mccartney. Show all posts
Showing posts with label sharon mccartney. Show all posts

Thursday, September 26, 2019

Amateurs At Love — Patricia Young (Icehouse Poetry/Goose Lane Editions)

Today's book of poetry:
Amateurs At Love.  Patricia Young.  Icehouse Poetry/Goose Lane Editions.  Fredericton, New Brunswick.  2018.

Amateurs at Love

Today's book of poetry has Pharoah Sanders on the box and he's cracking out a sterling version of his song "Africa/You've Got To Have Freedom" and we are loving it.  That's about as good as it gets.  Today's book of poetry wanted something lively, joyous, up beat to help us celebrate Patricia Young's Amateurs At Love. 

Patricia Young is no amateur.  Today's book of poetry has been down the Patricia Young road twice before.  Once for Short Takes on the Apocalypse (Biblioasis,2016), and once for her Consider The Paragliders (Baseline Press, 2018).  You can see them both here:


And here we go again.  It should be clear why, once again Patricia Young has hit us in the poetry sweet spot.

Amateurs At Love is crafted into six sections, each alive with its own magic.  Today's book of poetry got stuck in the first section, "This Could Be Anyone's Story", stuck isn't the right word, neither is paralyzed.  We're going to go with transfixed.  These short prose poems are note perfect, precise and patient.

Young is a pro.

Inside Sleep Country, Bird Murals

INSIDE SLEEP COUNTRY, BIRD MURALS glow on the walls:
peacocks and flamingoes, macaws and parrots. The old man wants
a firm mattress. The old woman longs for a good night's rest.
But the warehouse is a gruelling maze of daybed, canopy beds,
waterbeds, platform beds, sofa beds, truckle beds. Beds the size of
coffins and sandboxes. Beds sluggish as tugboats and shallow as
wading pools. They lean against a child's bunk and remove their
shoes. After you, he says, and she begins her ascent. They climb the
ladder, heads butting through clouds and sunsets, until they roll,
exhausted, onto a super-deluxe, memory foam mattress. Lying on
their backs, they talk about old wounds, betrayals, and whiplash
lust and bursitis. They have children, don't they? Grandchildren,
too? The lights dim. They hear the last customer leave. Doors lock.
Plumage rustles. There's a lone creeing sound. They reach shyly
across the expanse. After all these years, how is it possible? They're
still amateurs at love.

πŸ’«πŸ’«πŸ’«

Today's book of poetry sent Thomas, our newest intern, into the stacks to see what else we had in stock from Patricia Young.  Young has published 12 books of poetry and six chapbooks (as well as a novel).  We have eight of her poetry titles on our shelves, in no particular order:

Those Were The Mermaid Days
Melancholy Ain't No Baby
More Watery Still
Here Come The Moonbathers
Night-Eater
What I Remember From My Time On Earth
Short Takes on the Apocalypse
Consider The Paragliders

And now young Thomas, our newest intern, will be tasked with finding Patricia Young's other titles. 

Today's book of poetry would be remiss not to suggest you dear readers do the same; look for Patricia Young books.  We suspect, that like us, you will discover a voice worth your good time and a wit you wish you had.

Amateurs At Love is gold.  Like the afore-mentioned Pharoah Sanders, Patricia Young knows how to come correct.  In "Animal Tales", another of the six sections, Young and anthropomorphism get into a Noah's Ark of four legged and winged creatures.  Young treats them with respect, reveals their wit.  You'll believe every word because Young has the true burn.  It all sounds like the truth.

Rabbit

When the children peered through gaps in the fence surrounding
their play area they were confronted with a shocking sight — a
teenage girl whipping a rabbit with a willow branch. The girl
heard the children's whimpering and came over and threatened
to whip them too. So young and so pitiless, the daycare workers
said as they shuffled the little ones into the church basement where
they sloughed off their Muddy Buddies and rolled out their mats. It
was time to nap. Time to dream. That night the children told their
parents about the girl and rabbit, and the next day their parents
told their friends, who then told their friends, and so on, person
to person, until rumours of the girl's pathology travelled around
the globe, full circle, returning to the rabbit who merely rolled his
pink eyes. The children were fantasists, of course. To the rabbit's
mind, truth was the water dish in the corner of his hutch, the whiff
of clover on a summer morning, the diamond stud in the girl's ski
jump nose.

πŸ’«πŸ’«πŸ’«

Goose

The goose was in love with three ganders and they loved her in
return. The farmer, however, had no time for romance. Financially,
he was in over his head and also underwater. He needed to
downsize. This worried the animals, especially the goose. A month
earlier, on her birthday, she'd laid her last egg. Now, no matter
how she bore down — not one speckled oval. Like all lovesick
creatures, the ganders were a font of ideas and suggested the goose
feign broodiness. An excellent plan, she said, and refused to leave
her nest, even to eat or drink. Day and night her adoring ganders
gathered around to recite sonnets in praise of her fertility but after
the third debt collector had driven off, the farmer summoned his
hapless  waterfowl. You've laid more eggs than any other goose, he
said, and I am grateful, but you are old, old girl, and now you must
return to the bee balm and sky. Too dignified to make a fuss, the
goose arranged her head on the chopping block and the axe came
down. Instead of blood, a bouquet of dandelions spouted from her
neck. The awestruck ganders watched as the yellow clusters turned
swiftly to seed balls. Puff, they cackled, puff, puff.

πŸ’«πŸ’«πŸ’«

It's a rainy gray day in the nation's capital but we're all smiles here at Today's book of poetry.  When the pros drop in they make our life easy.  The morning read was both humorous and profound.  Young can be Richard Pryor funny and deadly serious at the same time.  Great trick.

Thomas, our newest intern, was introduced to the morning read this morning and of course because he is new he had to read first.  Thomas looked us right in the eyes and then nailed it, read Patricia Young with wit and timing.  We gave him and Amateurs At Love the full standing ovation.  Thomas bowed.

Mother

I took her hand and pulled her toward the park and begged her to
explain why everything I wanted to know was unknowable, like the
boys hanging around the edge of the canal. I wanted to know the 
difference between hypocrisy and lust. Also: the true story of Adam
and Eve. Was the Garden of Eden a foreign country where you
drank from a porcelain fountain or was it the beast with two backs?
I wanted to know: how could a beast have two backs? Other things
too: tricks to stay sane in prison. Should I memorize passages from
the Bible or Dante? Hanging upside down on the monkey bars,
I wanted to know why she, my mother, sitting on a stone bench
unwrapping a small meat pie, had blotted out her past. She bit into
the cold pastry, gravy oozing from the corners of her mouth, and I
wanted to know, would I too have to reinvent myself with duct tape
and flowers?

πŸ’«πŸ’«πŸ’«

Today's book of poetry is clearly a Patricia Young fan, you will be too if you can get your hands on Amateurs At Love.  Just like Pharoah Sanders, you can't go wrong.

Image result for patricia young photo

Patricia Young

ABOUT THE POET
Patricia Young has published twelve collections of poetry and one of short fiction. Her poems have been widely anthologized and she has received numerous awards for her writing, including the Dorothy Livesay Poetry Prize, the B.C. Book Prize, the Pat Lowther Memorial Award, a CBC Literary Prize, several National Magazine Awards, the Bliss Carman Award, and the Confederation Poets Prize. She has twice been nominated for the Governor General's Award for Poetry. She lives in Victoria.

BLURBS
"Amateurs at Love is as delectable as anything I've read in ages. Young delivers her salty truths in dreamscapes that straddle a ridge between drollery and devastating one-two punches. Here you will find prickly pangramics, grousing animalia, family fables, insight and allegory, and — as in the best of teh best — yourself." 
     — Sharon McCartney

"These poems could well be anyone's story, but each told in light touches is particular, the tone sometimes dark, if kept steadfastly whimsical in intent. A horse gorges on fermented daisies. Mice haunt a cottage with their absence. A boy comes to understand his mother has no answers for him. Not Patricia Young. Thankfully, in Amateurs at Love, she has found one for almost everything."
      — John Barton

"In Amateurs at Love, Patricia Young reveals parallel realities, not ghosts but fleeting glimpses of ourselves. Everyday love coexists as drama on a momentary stage, just on the other side of a veil, or it lives in a dreamlike state in which we are not sure if we are being dreamed or are dreamers. Young's extraordinary power of observation draws us in with fine detail, and the resonant precision of her language carries us along." 
     — Patrick Friesen




Patricia Young Reads from An Auto-Erotic History of Swings
Video: Sono Nis Press


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Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.


Friday, September 16, 2016

Metanoia - Sharon McCartney (Biblioasis)

Today's book of poetry:
Metanoia.  Sharon McCartney.  Biblioasis.  Windsor, Ontario.  2016.


Metanoia  -  "change in one's way of life resulting from penitence or spiritual conversion."

Metanoia is a book length poem where Sharon McCartney lets all of her ya-yas out.  These meditations are robust and fearless and not without humour.

Metanoia is a consciously streamed commentary on what the heart wants and what it is willing to settle for.  Love in uncompromising but loneliness is a compromise waiting to happen.

from Metanoia

The banker snored outrageously and twitched in his sleep.
I could not sleep beside him.
This became an issue.
That last night, I snuck off to the spare bedroom,
hoping for an hour or two.

At 5 A.M., I heard him downstairs, loading
his vehicle, the door slamming, his shoes,
angry. He tromped upstairs, perched on the edge
of the bed in the dark, saying, darkly,
"I didn't want to leave without saying goodbye."

No, I thought, you didn't want to leave without hurting me.

...

McCartney's confessions can sound braggart cold but she is always on the precise pulse of where the skin tears.

Fearing too much Tennessee Ernie Ford in her future, the speaker in Metanoia finds any advice from her parent past antithetical, she wants to break free of all expectations and attempts to, only to crash and break again and again on the sharp shores of her own preconceptions of love, lust, desire and hope.

from Metanoia

I strung the fat man along;
I thought I was sparing him.

A lie. I was sparing myself.

Because I waited too long to speak,
I became revulsed.

The last time we had sex, I said to myself,
"This is the last time."
I did not say that to him.

...

Perhaps we are all mercenaries of love destined to karma payment for our sins and misdemeanours. Sharon McCartney has left Today's book of poetry wanting more with Metanoia, not because of any lack, quite the contrary, Today's book of poetry could read this sort of unselfish wisdom all day long.

McCartney sounds/feels so true that you feel terrible empathy for her unwanted lovers as well as her own unsatisfied angst rattling around in her big dreamy head.  At the same time the poems excite the reader with their candor because whenever McCartney rattles her own cage lust hits a target.

from Metanoia

What I felt so many years ago in the grade 9 English classroom,
how I lost my sense of membrane, of containment, my self
leaching into the Bermuda lawn beyond the sliding glass door,
into the eucalyptus, the succulents, the birds of paradise

...

Our morning read was taken over by an enthusiastic Kathryn, our Jr. Editor.  She insisted that Metanoia needed a woman's voice and she was the one to provide it - she was right.  Kathryn read the heart right out of these poems and into the room.  

Sharon McCartney has shared an emotional pilgrimage with carnal candor and a hopeful heart.  Today's book of poetry is always going to have all sorts of time for anything this dynamic and emotionally honest.  That's how revelations happen.

McCartney, Sharon
Sharon McCartney

ABOUT THE AUTHOR
Sharon McCartney is the author of Hard Ass (2013, Palimpsest Press), For and Against (2010, Goose Lane Editions), The Love Song of Laura Ingalls Wilder  (2007, Nightwood Editions), Karenin Sings the Blues (2003, Goose Lane Editions), and Under the Abdominal Wall (1999, Anvil Press). Her poems have been included in the 2012 and 2013 editions of The Best Canadian Poetry in English. In 2008, she received the Acorn/Plantos People’s Prize for poetry. She lives in Fredericton, New Brunswick, where she works as a legal editor.

BLURBS
“So much is revealed in so few words … It’s a book that feels light, but its delivery is heavy, and worthy of contemplation … McCartney is merciless in exposing vulnerability, but also builds an intimacy integral to Metanoia‘s achievement.”
     —Quill & Quire

“Sharon McCartney is something else, a poet with a personal vision who, in work after work, digs deeper into the exposed tissue of her own soul.”
     —NumΓ©ro Cinq

“McCartney’s poetic voice is direct, confessional, and, at times, philosophical, examining the nuances of family dynamics, romance, friendship, and illness. These lyric narratives are structured in single-stanza bursts of emotion and infused with plenty of raw vulnerability … These poems explore a romance with directness and emotional punch.”
     —Jennifer LoveGrove, Quill and Quire

“No unnecessary word, no dull word, no stock imagery, every new insight or description at once astonishing and just, everything at once new and yet polished, diamond hard. Her language is brilliant, sensuous, startling, sometimes relaxed and cajoling, sometimes savage.”
     —M. Travis Lane, The Antigonish Review

“You don’t read these poems, you feel them: Hammer in the head, shod foot on the throat, stiletto in the heart. It’s those combos of wild, piercing insights (or unusual but poignant images); yep, that’s what makes it good for you–or kills you, laughing.”
     —George Elliott Clarke

“Darkly obsessive, For and Against documents the rolling flux of life–the raw wounds of relationships in moments that are, in turn, anguished, edgy, droll, and affectionate. McCartney’s poems are an extreme sport–one well worth playing.”
     —Jeanette Lynes, author of The New Blue Distance

“McCartney has shown a delightful felicity in previous books with stapling phrases into the memory. For and Againstexpands this strength with different material, and it’s a testament to her talent that rawness isn’t diminished by an attention to fluency.”
     —Brian Palmu


“With her unflinching eye and masterful yet never flamboyant command of language, McCartney consistently distinguishes herself from her literary contemporaries.”
     —The Oxonian Review


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration.