Showing posts with label jim johnstone. Show all posts
Showing posts with label jim johnstone. Show all posts

Friday, February 9, 2018

Siren - Kateri Lanthier (Vehicule Press)

Today's book of poetry:
Siren.  Kateri Lanthier.  Signal Editions.  Vehicule Press.  Montreal, Quebec.  2017.



Kateri Lanthier isn't going to give up anything easily in Siren.  Lanthier's tight inner monologues, confessionals and testimonials are so laden with images and metaphors that take up instant residence in your brain you feel you've been poetry hammered.

Kateri is a full speed poet, no meandering allowed.  One minute you're a grand piano and the next a Formula One engine.  Lanthier finds a way so that "coral has osteoporosis" and "The satellite dish and the satellite must weep for their decay."  Lanthier ties these disparate threads together into an information overload, poems ripe with jaw drop.

Siren

I was the waif in the snowbank of the banquet hall parking lot.
A voluptuous stray. A bravura drunk. My thoughts encrypted in sugar.

Chiming through my rain-streaked gaze, the hues of this week's cocktail:
CuraƧao blues, maraschino rage, olive, lime cordial, not bitter.

Unplugged from the folk circuit, unhinged by your grin.
When the heat deigns to return, the extremities sing pain.

The perimeter keeps expanding. Shots ricochet round the arch.
Catch me, catch me, if you must! Back me into the Earth's crust.

I clawed you from the rock and now you glisten on my finger.
In the marble at your temples, I can trace the throb of doubt.

All night the blind truck-river-road courses past my house.
Sirens swim the butterfly to comfort each shipwreck.

...

Today's book of poetry had Milo, our head tech, fetch Lanthier's first book, Reporting From Night (Iguana Books, 2011), out of the stacks for our morning reading.  Witty and sensual, it says so on the cover.  What Today's book of poetry remembers is that Lanthier's first book had a warm tenderness.

Try this one:

March Hatter

I am afflicted by tulipomania,
ailurophilia
and an attention headache.

I am at least as confused
as the raccoon drinking
ice water on our deck
in the mid-day sun.

...

Imperfect moments perfectly caught in time.  That's a slick skill.  But Lanthier is after bigger game with Siren, she's stretching bigger muscles.  Today's book of poetry thoroughly enjoyed Reporting From Night but Siren is a whole new ball game.

Lanthier has been doing some serious reading since the last time out and it shows.  Today's book of poetry has nothing but time for poets who love and respect other poets and Lanthier pays constant tribute with her own particular inventive instrument.

Playmates

The ice in the field has its game face on. That wind will toy with your feelings.
May I recommend revenge, served chilled in silence and slow time?

The toy lies upturned in the bin, wheels stilled or legs askew.
As soon as one kid palms it, the others whine in chorus.

So it is with the redhead at the bar, the blonde on your roommate's bed.
I've jammed your signal with sticky fingers: remote control's over and out.

I thought I was writing love poems. Turns out, I was writing to Mars.
"Dear distant red-faced planet! How highly ironic you are."

How artless, all that sweet talk while you twisted the pocket knife.
Meretricious. A miniature elephant carved in poachers' ivory.

As soon as a child is handed a toy, he tears off the wrapper and feasts.
But then, from the corner of the room, the empty box works its magic.

Cold and perfect, the toys in the window; the smears on the glass are where art lies.
When your abacus is missing a bead, you learn so much more about math.

...

Our morning read was held in considerably more comfort as we have added another reading chair to the office furniture courtesy of our friends Jeff and Tina at Vanier Moderns.  Kathryn, our Jr. Editor, appears to have claimed it as her own, already has a stack of books beside the chair, marking her territory.  Kathryn led the charge this morning for the readings and then put both of Lanthier's titles, Siren and Reporting From Night on her new pile, labelled ever so carefully in Kathryn's beautiful hand with red and yellow marker and it says: "TOUCH + DIE!!" 

Today's book of poetry thinks Lanthier would appreciate Kathryn's strong independent attitude and charm.  Kathryn pointed out Lanthier's use of the Ghazal and it's good that she did.  Today's book of poetry wouldn't know a ghazal from a gazelle but we know when we like a poem.  For Today's book of poetry Kateri Lanthier's Siren worked its own particular spell on this reader.  There's a kind of "compelling melancholy" in Lanthier's poetry.

What Washes Off, What Sticks

The grey-clothed day unsheathes to pink. Tickles the horizon.
Nightfall on site. I rub the jaw of the daffodil-dinosaur digger.

Light makes its last, weak argument. Excuses itself for the night.
No more hearsing and rehearsing. One false note: colony collapse.

Your lack of inflection troubles me. You must seize a ghost by the wrist.
Is this obsession, addiction, habit or an unscratchable itch?

We need new earth, dirt bags! They're sandbagged up at the mall.
Sweet soil arrived from the countryside. Got trashed in the parkette.

The ransom note in tenor clef of nosebleed on the pavement.
The cursive curse of a love note pissed in pale ale on the snow.

Strike the set. The dream mill's strapped to a dead-pan flatbed trailer.
The coldest day in decades and the sky is newborn blue.

You scrub at the stain while marvelling at what washes off, what sticks.
A missed miscarriage. The heartbeat that skipped town but never left.

...

With Siren Kateri Lanthier firmly stakes her ground as a poet to be dealt with.  This is confident, smart poetry that surprises the reader with a "seductive power."

Image result for kateri lanthier photo

Kateri Lanthier

ABOUT THE AUTHOR

Kateri Lanthier's work has appeared in numerous journals, including Green Mountains Review, Hazlitt and Best Canadian Poetry 2014. She was awarded the 2013 Walrus Poetry Prize. Her first book of poems is Reporting from Night (Iguana, 2011). She lives in Toronto with her family.

BLURBS
"In Siren, Kateri Lanthier puts contemporary culture on blast. Playful, kaleidoscopic, and full of unexpected connections, her ghazals "think at the top of their lungs"-- boldly exploiting the Persian form's compressed energy. Plug-in and prepare to be "pistil-whipped."
     - Jim Johnstone, author of Dog Ear

"Every one of these dazzling poems is crammed with wildly memorable images and expressions. With her whip-smart couplets and snappy lines, Lanthier offers a highly original and witty perspective on the world."
      - Jane Yeh, author of The Ninjas


Kateri Lanthier
Reading at the Tree Reading Series, September 12, 2017
Video:  Tree Reading Series


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DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.
We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration


Thursday, December 21, 2017

The Better Monsters - Puneet Dutt (Mansfield Press)

Today's book of poetry:
The Better Monsters.  Puneet Dutt.  Mansfield Press.  Toronto, Ontario.  2017.


The poems in the first part of Puneet Dutt's bracing and honest The Better Monsters come from the voice of an outsider.  Dutt's voice has been in camps, heard gunfire at night.  But by the time we are finished Dutt is insider enough that she knows exactly how to reach us.

Whether in Jalalabad or Kabul Dutt's world-weary voice always remembers that:
                                     
                                                "to see fighters
                                  from another country with guns
                                  in my local market everyday
                                  not knowing what they were doing
                                  I would hate them"
                                                       
                                                             VIII
                                                              Over Cider And Whiskey In Hotel Rooms

Dutt's voice is also inhabited by those same fighters, lost in a world foreign enough to them to allow any extravagance or insanity.

Alien Alien
"he pays cash, that's why he's called Mister."
            - Oswald Joseph Mtshali

never had an education
took a talvar to school
and fled the country

records of Saturday Night Fevers
bell bottom stone-washed jeans
played his youth

eyes closed
he reached Queens

doors closed to his
dark room body
doors always closed
no matter the knock
we were toes and whispers
children of his parent's eyes

he left his records behind
walled open to VHS's
CDs
Deep Purple Aerosmith Bon Jovi
another hit

long drives
alone in a white U-Haul
and all the trucks he ever haggled for
that broke down from so many miles

Hey God, I'm just a little man got a wife and family
he knew the songs
the CK jeans
Yankee's cap
they sold him

her and him
two suitcases each
so fast they left us
to get there

Memphis to New Orleans
i asked him
her 
what did you see
criss-crossed veins
America
alligators and beads
the giant peach
what did you see

dekhna kyah tah
what was there

we'd long for postcards
textbooks
Mount Rushmore Gettysburg America
highways
highways
5 a.m. and stand
fleamarkets sun under tarp
until now they can't stand anymore

i find them again
on the same street
weary of motels and rest stops
bruised soap souvenirs
of what they've been
back to where they started
97 to 95

from Georgia and back
all along the coast
boxes we'd help make
thought it was a game
hide and seek
perfumes scrunchies barrettes
whatever they could buy

whatever they could sell
always afraid of who was at the door

she kept chipped bottles
Testers without caps
fingered blue RI, America
gifted us Caution: Flammable
and sprayed
stars and stripes

we got through school this way
not being stinky Pakis
go home
we bought
like good greencards
when they asked
we bought
swore allegiance
to clothes and movies
credit card after credit card
found a way to stay

that English
fly tape ensnares flies with appealing colors
Made in USA
so much about
explorers
Manifest Destiny
Christopher Columbus

that America
and when they try to make the rent
next month  we have it next month
we scattered
kids and weddings
north and south
they still ask us where
we're really from

implies place
when i slip a hundred in her purse
even when i dye my hair blonde
my tongue lashed by ESL
i can only interpret
a weekend
so many of us
learned
the odds are bet against us
              we alien alien

...

Time and distance take new shape when you are on the other side of the world from where you started, the earth your toes remember both too far away to touch and too long ago for warmth.

Punnet Dutt's tender and tragic poems seat the reader in the empty space endured by those who are forced to leave their own terra firma, their own culture, their own countries.  Dutt makes it real on the page.

Today's book of poetry thinks that Puneet Dutt talks from both sides of the invisible fence that impedes all our human travails and this encompassing vision serves her well.  As harrowing as some of the moments these poems endure, Dutt's voice ultimately never gives up hope and that's the magic.

Coordinates

it's 4 a.m. and clear
             13 degrees centigrade
             in Jalalabad

             Google can't calculate the drive   the
walk    or how long it will take by TTC
             only shows the expanse of impossible
blue
             the mouth of the South Pacific
             the fingernail of Chile
             and Hawaii         the crumbs

             i type:
"calculate distance between two coordinates"
and receive
the haversine formula

to calculate distance between two points--that is
the shortest distance over the earth's surface
and the bearing between two latitudes

purplemath.com promises
the distance formula   its origin   its use
the length of hypotenuse   is the distance between two
points

               another
says to just type your equations and let the calculator do
the rest!
to find the distance between two points
(X1,Y1) and (X2,Y2)
all that you need to do is use the--

                but all i want to know is
how far
from daughter
from mother
from herself she will be
                from me
when she returns

...

Our morning read was a little more low key than usual.  Apparently our entire staff, moi included, decided that we could drink all the red wine we could find in the bar.  Amateurs that we are we left three bottles standing at the end of the night but we'd admirably polished off several of their friends. The morning read was subdued intensity tempered by aspirin.  But Dutt's voice was clear, despite our fumbling efforts, these poems worked.  They have been tempered over hotter flame then any of us will endure.

Reasons To Throw Stones

America begins
this way
48 Trenton St.
where i slowly ask
what i'd thought of for a year--
why did you leave me behind?

she sniffs and
immediately pulls me toward a bath alarmed
by the size of my long loose undergarments
stitched in India elastic frills and ribbons at
each end you can't wear those!
i'll have to take you
shopping!
sluicing me over the head with measuring
cups of soap

immediately America begins with a vigorous
scrubbing immediately i change and please so
immediately i know America is not for big
open questions my mother brandishes card
after card slashing through lines builds my
closed of each auditions next day don't give
them reasons to throw stones this she gives me
now i arrive in Canada i don't know what to
do immediately when i arrive to Canada what
to do immediately?

...

Today's book of poetry thought Puneet Dutt's poems were human in a way that allowed all readers to get to the center of them.  But once there Dutt isn't reluctant to insist you see the battles and the battle scars from a new position.  Dutt aims for The Better Monsters amongst us human beings and emerges at the end of her harrowing journey still embracing hope.

That's courage.


Punnet Dutt


ABOUT THE AUTHOR
Puneet Dutt received her MA in English from Ryerson University. She is the author of the chapbook PTSD south beach (Grey Borders Books), which was a Finalist for the 2016 Breitling Chapbook Prize (Phantom Books). Her work has been published in a number of journals and in Imaginarium 4: The Best Canadian Speculative Writing. She was born in India and raised in New Jersey. She now resides in Toronto with her husband, where she is an editorial board member at Canthius and a creative writing workshop facilitator with the Toronto Writers Collective. She can be found online at puneetdutt.com.

BLURBS
“Fierce and finely crafted, The Better Monsters distils life’s strangeness in poems that bridge the gap between warning and augury. A tour-de-force from one of Canada’s most promising writers.”
     —Jim Johnstone, author of The Chemical Life

“In this gripping first collection, Dutt evokes innocence within and despite the cruel enigma of inevitable arrival. She masterfully connotes this ironic centre—the empty solace of truth telling: ‘so fast they left us/to get there.’”
     —Hal Niedzviecki, Broken Pencil Magazine

“The poems in The Better Monsters teach us how humanity is its own greatest threat but also its greatest salvation. Dutt’s world is one of greater and lesser evils, where the only virtue is the beauty that her language provides. Yes, perhaps her poetry is our best chance to escape our everyday monsters, our monsters within.”                                                                                                                     —Darrel Alejandro Holnes, Pushcart Prize nominated poet, New York University, United Nations                                                     consultant
644

DISCLAIMERS

Poems cited here are assumed to be under copyright by the poet and/or publisher.  They are shown here for publicity and review purposes.  For any other kind of re-use of these poems, please contact the listed publishers for permission.

We here at TBOP are technically deficient and rely on our bashful Milo to fix everything.  We received notice from Google that we were using "cookies"
and that for our readers in Europe there had to be notification of the use of those "cookies.  Please be aware that TBOP may employ the use of some "cookies" (whatever they are) and you should take that into consideration





                

Saturday, November 18, 2017

Collected Poems of Alden Nowlan - Edited by Brian Bartlett (Icehouse Poetry/Goose Lane Editions)

Today's book of poetry:
Collected Poems of Alden Nowlan.  Edited by Brian Bartlett.  Icehouse Poetry.  Icehouse Poetry is an imprint of Goose Lane Editions.  Fredericton, New Brunswick.  2017.

Collected Poems of Alden Nowlan

Three reminders of why I love this poetry game.  Earlier this week we finally heard from our Sr. Editor, Max, who had gone on a bit of walkabout.  He's fine, keeping out of the bad weather and we are greatly relieved to hear he is okay.  Today's book of poetry also got a phone call from our Southern Correspondent, the Twangster.  A phone call from his lair is as rare as hen's teeth but more welcome than Christmas.  Damn it, for the first few minutes of the call my short-term memory left the room and my old brain didn't even recognize the voice.

Why were these calls so important to Today's book of poetry?  Max knew me back in the day and tolerated my poetry just enough that I kept going.  The Twangster, through a variety of selfless acts of charity has helped Today's book of poetry renew his love for poetry and our small community.

The third.  Sir Alden Nowlan.  I gave him the Sir moniker and if you want to make something out of it - you know know where I live.  Alden Nowlan (1933-1983) was around when there were real giants roaming the poetry earth, Laytons, Cohens and such.  But Alden didn't get quite the same sort of press or recognition or fame.  I'm here to tell you that long before I worshipped the legendary Irving Layton I was hip deep in Alden Nowlan.  The perfect gateway to a life of loving poetry.

Bread, Wine and Salt (Clarke, Irwin & Company Limited, 1967), The Mysterious Naked Man (Clarke, Irwin & Company Limited, 1969) and Between Tears and Laughter (Clarke, Irwin & Company Limited, 1971) were cornerstones of my early poetry world.  Today's book of poetry never met or knew Alden Nowlan but we loved him because his poetry was real to us in the most important sense of being real.  The emotions I felt as a young man reading Sir Alden of Nowlan have never gone away.  When I read these poems they still feel fresh.

Did I say Sir?

Saint Alden of Nowlan is a genuine Canadian poetry hero.  Brian Bartlett, the editor of this massive completest's joy, the Collected Poems of Alden Nowlan says it all much tidier and with less emotional bombast.  Here is his opening salvo:

     Czeslaw Milosz once wrote of another great twentieth-century Polish poet,
     Wislawa Szymborska: "Poetry that speaks to the enduring and irreversible
     coordinates of human fate -- love, striving, fear of pain, hope, the fleeting
     nature of things, and death -- leads us to believe that the poet is one of us,
     and shares in that fate." The same could be said about one of Canada's most
     distinctive and beloved poets, Alden Nowlan.  He once wrote of a desire to
     leave behind "one poem, one story / that will tell what it was like / to be
     alive" ("Another Poem").  Many times he did just that, with candour and 
     subtlety, emotion and humour, sympathy and truth-telling.  Only now is the
     true range of Nowlan's poetic achievement finally available between two 
     covers.  Collected Poems offers in one volume all his poems previously
     published in three early chapbooks, eight full-length collections, "new
     and selected" compilations, and the script of a long poem for voices.

And here is mine.  The first time I opened a book by Alden Nowlan I was in high school, I graduated over 47 years ago.  Alden Nowlan was one of the first poets on my bookshelf.  Because...

In Those Old Wars

In those old wars
where generals wore yellow ringlets
and sucked lemons at their prayers,
other things being equal
the lost causes were the best.

Lee rode out of history
on his gray horse, Traveller,
so perfect a hero
had he not existed
it would have been necessary to invent him--
war stinks without gallantry.

An aide, one of the few who survived,
told him,
Country be damned, general,
for six months these men
have had not country but you.
They fought barefoot
and drank blueberryleaf tea.

The politicians
strung up Grant
like a carrot,
made him a Merovingian.
They stole everything
even the coppers from Lincoln's dead eyes.

In those days, the vanquished
surrendered their swords like gentlemen,
the victors alone
surrendered their illusions.
The easiest thing to do for a Cause
is to die for it.

...

Today's book of poetry's old copies of Bread, Wine and Salt and The Mysterious Naked Man have been rifled through so many times the bindings are loose, they have so many paper page markers sticking out of the tops -- they look like they've grown plumage.  

What Today's book of poetry found in Alden Nowlan was a voice that sounded so real and true and fine you wished he were your Uncle.  Your smart/wise Uncle who wrote poems like this:

The Hollow Men

They tell me they have never aspired to be poets.
Their jobs, when they were young, were more
     demanding than mine.
With their sweetest smiles: "Nothing great was ever
     accomplished
by writing before breakfast; to create a man must
     be free."
Someday, perhaps, they'll live in Mexico or Italy.
Meanwhile, they endure as they must...
Then hand me the poem
they've preserved since their last year
in university.

...

or

The Last Waltz

The orchestra playing
the last waltz
at three o'clock
in the morning
in the Knights of Pythias Hall
in Hartland, New Brunswick,
Canada, North America,
world, solar system,
centre of universe--

and all of us drunk,
swaying together
to the music of rum
and a sad clarinet:

comrades all,
each with his beloved.

...

Our morning read was splendid.  The air in Ottawa is crisp, the way it always is before the first big storm of winter.  The sky that foreboding sunless gray.

The minions did Sir Saint Alden of Nowlan proud, we read poems from every lovely section of the Collected Poem of Alden Nowlan as though they were the Psalms and we were all religious.  Even though we are not.

Here's the truth of it.  Alden Nowlan never seemed to be speaking over us, he spoke directly to us, me.  It felt like I was being included in an erudite conversation about things that mattered, it was  a conversation I wasn't expecting to be included in.

Snapshot

It takes even more than this to make you cry
or laugh
     aloud
            when you are old enough
to find a forgotten snapshot of yourself,

take it up in your hands,
hold it close to the light,

discover slowly
     and for the first time

that once
     long ago
             you were almost

beautiful.

...

Nowlan was a gem factory.  A high class jeweller.  Try this jewel on for size:

Fireworks

Fireworks are being set off
from the highest point in the city
and because explosions scare me
I sit here sullenly, bracing myself for the next one,
hoping it will be the last.
       After all, we've set off so damn many
explosions this past seven or eight hundred years
it stands to reason God must be getting sick of them.
One of these days he's going to hear a firecracker
and decide that's it, I've had it, they've gone far enough.

What a hell of a bang there'll be when that day comes.

...

Icehouse Poetry and Goose Lane Editions have done a national service with this handsome book.  The Collected Poems of Alden Nowlan may be the most important book of poetry published in Canada this year.  Every poetry bookshelf in the country should have this book on it!

Why I am not more afraid of the dark

You are:
                 windows.
                                    That
is the name
                    for you.
And the darkness
                                 moving
within
and behind
                      your terrible brightness
is not
           the wings
                            of bats caught
in a furnace, not
something nameless
                                  rising, but
men
and women
behaving like humans.
                                     Still I all but
say it aloud:
                     Windows.
                                      Humans.
And am grateful
that I possess words:
                                     charms
unknown to animals.

...

Sir Alden Nowlan, bard, poet-Saint and namer of things, names it here.  "I possess words: /  charms / unknown to animals.  

Today's book of poetry has looked up to Alden Nowlan since we first picked up Bread, Wine and Salt in it's tidy small paperback format.  It didn't take me long to realize it was one of the biggest books on my shelf.  Over forty years later -- nothing has changed.

Alden Nowlan should be remembered from that time when giants strode the earth for he was their equal in every way.  I know, he took giant steps into this poet's heart all those years ago.  And just like Mr. Coltrane and his own Giant Steps, they are there to stay.

Photo credit: A painting of critically acclaimed Canadian poet, novelist and playwright Alden Nowlan by Stephen Scott.

Alden Nowlan

ABOUT THE AUTHOR
Born in Hants Co., Nova Scotia, in 1933, Alden Nowlan moved to Hartland, New Brunswick, when he was nineteen, and worked on the Hartland Observer as reporter, editor, and general facilitator until he went to Saint John (and the Telegraph Journal) in 1963. In 1968 he was invited to take up the position of Writer-in-Residence at the University of New Brunswick in Fredericton. Alden Nowlan died on June 27th, 1983.

ABOUT THE EDITOR
Brian Bartlett has published many books of poetry and non-fiction, including The Watchmaker's Table, Ringing Here & There: A Nature Calendar, and Wanting the Day: Selected Poems. He teaches creative writing at Saint Mary's University in Halifax.

BLURBS:
"Both the Ukraine and Russia lay claim to Gogol, Wales has Dylan Thomas, and America, Poe. We (in Atlantica) have Alden Nowlan. He might tell you you've got the balls of a bull moose to say something like that. Just think how hard as a youngster he was treated by his native place. That doesn't matter now, since he turned it all to gold. Nowlan reminds us our English is good. Our cold winter-tempered Irish English, modern, spare, and mythological. These poems are enough to make you want to put your guitar down." 
     — Al Tuck

"The publication of this book is an historic event in our literature. The collection is a life's work, and like the work of life, this writing wrestles with ancient forces that are pure and unchanging. Nobody else saw the world with Alden's kind of clarity and nobody else worked the language so hard — trying to make it hold, or embrace, our shared experience with such furious tenderness. If you still think honesty is possible, if you worry sometimes about truth and the struggle for sincere connection, Collected Poems of Alden Nowlan will give you comfort." 
     — Alexander MacLeod

"Well over thirty years after his death, Alden Nowlan's poems are still hot-blooded — living, breathing incantations that beat with the pulse of Eastern Canada. Imbued with what Brian Bartlett dubs "the illusion of speech," Collected Poems of Alden Nowlan brings together the work of a master craftsman, a writer whose rangy, conversational poems benefit from appearing where they emerged within his career arc. A definitive volume that consolidates Nowlan's standing in Canadian letters." 
     — Jim Johnstone

"After I was brought up on the Romantics in school, my love of Alden Nowlan's poetry began with his dense, metrically perfect lyrics, some of them so dark they made me shiver. Later, his plain-speaking voice, his honesty and vulnerability drew me in. My husband and I hold Alden in such high regard that shortly after his death we named our first cat after him. He is our laureate of human frailties. No one makes me feel less alone in life and in literature than Alden." 
     — Lorna Crozier


Alden Nowlan: The People's Poet
video: Norflicks Production


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Saturday, December 27, 2014

Dog Ear - Jim Johnstone (Signal Editions/Vehicule Press)

Today's book of poetry:
Dog Ear.  Jim Johnstone.  Signal Editions/Vehicule Press.  Montreal, Quebec.  2014.


"I never met a man
with one
black eye
who wanted two"
                                                                                         from - "First Principles"
                                                                                                     Jim Johnstone

I get the distinct feeling from Jim Johnstone's Dog Ear that in his world vision  --  someone has to pay.

This is the dark end of a world out of balance, basic goodness is deeply suspect.

These poems are the loose tooth your tongue can neither solve or salve.  You feel them like a bruise. They are part of your flesh and bone, but a tender, sore part.

These poems are Michael Corleone sentencing Freddo to perdition while the Corleone matriarch still breathes.

Temps Mort

     Hell is empty.  All the devils are here.
                           -William Shakespeare, The Tempest

Look for a vanishing
point in tooth

and claw, the arrow
that predicts

equal and opposite
circles of hell.

Hell is of this world,
the wind blown

level with rooftops
on New Arthur,

cells re-circulating
as if symmetry

justified existence--
beauty where

nothing beautiful
had been.

Behind my back the
hemisphere

begins again and I 
question

whether I'm needed
to complete

this scene: an open-
ending plain,

body dissolving
where a dog-

fox circles its tail
until all that

has passed slows.
When time's

arrow repeats, its bow
empties

and the Devil walks
through.

...

These tight, taut poems are a bit like a nightmare you can't wake from.  A grimace that could turn to a smile, if only you could wake.

So, why would I recommend it?

Just ask our crying intern at Today's book of poetry.  Ask her why she loves the sad torture of Yukio Mishima, the painful kiss of Jean Genet.  Not all beauty wears a smile.

Louis Dudek, in Love

Umbrella held aloft like paper pulled
from a pinata, we trace the limits
of Marie-Reine-du-Monde and bull
inside. Bad luck: the basilica chaste
save for the confetti of our entrance,
the incline of a room within a room
inked-in in happenstance. By chance,
we've stumbled on our Waterloo:
elderly parishioners lulled to sleep,
pews like broken fingers on a working
hand. I take yours now, know your grip,
the clots that bulge like latticework,
confine the prize of blood's ascent.
See here? Your skin grows lean. Exeunt.

...

Where we might expect, even want, a love poem for passion, or even passive release we get:
"elderly parishioners lulled to sleep,
pews like broken fingers on a working
hand,"

Johnstone is relentless with his dark lament, his "raw self-examinations" that encompass us all.

Drive

No one will find us in this city -- not your valentine,
not the line of dogs he's chained by the throat. My collar
blooms chin-high, is perfumed with lilac where you
finger buttons, parse leaves and hook a flush of green

to my breast. Tell me you're good. Tell me we'll
lend our touch to the nearest MG, drive south on a
sucker bet until we run dry in the desert. There are
others who've come uninvited, who've come to free

themselves from their skin, lose their grip
and trace in a mess of coins. Here's my loss -- fist
lodged in the maw of the first guest to speak, our
honour run aground. To stay we'll need to slap down

the pin that adorns your jacket, bet against a snail being
able to survive the edge of a straight razor. I've been
told that nothing can live to know such a lean blade.
When we drive land rises and we rise with it.

...

Jim Johnstone's breathless and forcefully consistent Dog Ear should be read early in the morning. Hopefully on a day that promises sunshine.

This dark beacon reminds us of our better nature, the dire abyss promised with its loss.

Not all poetry give us hope, the shape of reason is not always pretty.  Johnstone paints like Brueghel The Elder, beautiful pandemonium when the harsh light of the human heart is fully revealed.

What a riveting read.  What an ominous outlook.

Jim Johnstone


ABOUT THE AUTHOR
Jim Johnstone is the author of three previous books of poetry: The Velocity of Escape (2008),Patternicity (2010) and Sunday, the locusts (2011). He is the recipient of a CBC Literary Award, The Fiddlehead’s Ralph Gustafson Poetry Prize, and Matrix Magazine’s LitPop Award. Currently he’s the Poetry Editor at Palimpsest Press, and an Associate Editor at Representative Poetry Online. He lives in Toronto.

BLURBS
"There is a lot to admire in Patternicity: musicality, intelligence, toughness, tensile juxtapositions of rational enquiry and lyrical tenderness."
     -Arc Poetry Magazine

"Johnstone's poems are entertaining, erotic, and dangerous, and at times brute in their clean, heart-wrenching details."
     -Mansfield Review

"Johnstone simply does not miss opportunities to drive home his music, to exploit each vowel's potential to ring and electrify its neighbours."
     -Maple Tree Literary Supplement

vehiculepress.com

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